May December

The nightmarish Union disaster at Fredericksburg comes to two climaxes that spring: at Chancellorsville in May, where Lee wins his most brilliant victory but loses Stonewall Jackson; and at Vicksburg, where Grant's attempts to take the city by siege are stopped. During the episode we learn of fierce Northern opposition to Lincoln's Emancipation Proclamation, the miseries of regimental life and the increasing desperation of the Confederate homefront. As the episode ends, Lee decides to invade the North again to draw Grant's forces away from Vicksburg.

Episode six begins with a biographical comparison of Ulysses S. Grant and Robert E. Lee and then chronicles the extraordinary series of battles that pitted the two generals against each other from the wilderness to Petersburg in Virginia. In 30 days, the two armies lose more men than both sides have lost in three years of war. With Grant and Lee finally deadlocked at Petersburg, we visit the ghastly hospitals north and south and follow General Sherman's Atlanta campaign through the mountains of north Georgia. As the horrendous casualty lists increase, Lincoln's chances for re-election begin to dim, and with them the possibility of Union victory.

Former Satanist, Doc Marquis, proves that the foundation of our holidays is rooted in Satanism. Doc begins by demonstrating how the Illuminati effected the change in our calendar and how that change has affected a dramatic change in our everyday lives. The Illuminati copied heathen holidays from Satanism and then just gave them Christian names. Doc covers the following pagan holidays most of which America fervently celebrates.

Filmmaker-svengali Josef von Sternberg escalates his obsession with screen legend Marlene Dietrich in this lavish depiction of sex and deceit in the eighteenth-century Russian court. A self-proclaimed “relentless excursion into style,” the pair’s sixth collaboration follows the exploits of Princess Sophia (Dietrich) as she evolves from trembling innocent to cunning sexual libertine Catherine the Great. With operatic melodrama, flamboyant visuals, and a cast of thousands, this ornate spectacle represents the apex of cinematic pageantry by Hollywood’s master of artifice.

Hello, Dolly! is a 1969 romantic comedy musical film based on the Broadway production of the same name. The film follows the story of Dolly Levi (a strong-willed matchmaker), as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder.