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Before the Flood is a double live album by American singer-songwriter Bob Dylan and the Band, released in June 1974 on Asylum Records in the United States and Island Records in the United Kingdom. It is the seventeenth album by Dylan and the seventh by The Band, and documents their joint 1974 American tour. It peaked at number three on the Billboard 200, reached number eight on the popular album chart in the United Kingdom, and has been certified platinum by the Recording Industry Association of America.

Although it's missing a few important (not to mention big) hits, Greatest Hits, Vols. 1 & 2 is an excellent retrospective of the first half of Billy Joel's career.

Originally released in June 1972, the Eagles' self-titled debut played a significant role in changing the face of mainstream music while setting up a dominant run that's continued for nearly five decades. Produced by Glyn Johns, and home to three massive hits, Eagles established a cleverly restrained, Los Angeles-bred style that would sweep the country and position the group as superstars. Mastered from the original analog master tapes, Mobile Fidelity's numbered-edition hybrid SACD pays tribute to the record's merit and enhances the intimate program for generations to come. Playing with reference sonics that elevate an effort forever prized by audiophiles, this spectacular version provides a clear, clean, transparent, balanced, and intimate view of an album that permanently made California-style rock a style of its own.

Patricia Barber's Modern Cool was the recording that made Barber an international jazz star. On the initial tour for this album, Barber played a four night stand at The Jazz Standard in New York where she was heard by Bruce Lundvall of Blue Note Records. This led to a string of Barber recordings for both Premonition and Blue Note, worldwide touring and unapologetic critical acclaim from which Barber never looked back. Audiophiles were well aware of Barber from her 1994 Premonition recording Café Blue. Sonically, modern cool copied the café blue playbook: same recording studio, engineer, and recording approach. Musically, Barber added trumpeter Dave Douglas to her stellar working band and showcased her original compositions more than on any previous recording.

Mastered on Mobile Fidelity's world-renowned mastering system, this hybrid SACD presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.

Nefertiti is a studio album by American jazz musician Miles Davis, released in March 1968. Recorded on June 7, June 22–23 and July 19, 1967, at Columbia's 30th Street Studio, the album was Davis' last fully acoustic album. Davis himself did not contribute any compositions, which were mostly written by Herbie Hancock and Wayne Shorter.

Milestones is a studio album by American jazz trumpeter and composer Miles Davis, recorded with his "first great quintet" augmented as a sextet. It was released in 1958 by Columbia Records. Tenor saxophonist John Coltrane's return to Davis' group in 1958 coincided with the "modal phase" albums: Milestones and Kind of Blue (1959) are both considered essential examples of 1950s modern jazz. Davis at this point was experimenting with modes – scale patterns other than major and minor.

The James Gang was an American rock band formed in Kent, Ohio in 1966. James Gang Rides Again (alternatively known as simply Rides Again) is their second studio album. Originally the album was released in mid 1970, on the label ABC Records. Some of band's songs to be popular on classic rock and AOR stations.

Get the Knack is the debut album by The Knack, released in June 1979. The album went platinum (one million units sold) in just two months and spent five weeks at #1 on the Billboard 200 album chart. The lead single from the album, "My Sharona", was #1 on the Billboard Hot 100 for six weeks and #1 on Billboard's Top Pop Singles of 1979 year end chart.

Miles in the Sky is a studio album by American trumpeter and composer Miles Davis, originally released on July 22, 1968, by Columbia Records. It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track “Stuff”. Additionally, electric guitarist George Benson features on “Paraphernalia”.