MG MT Chuck Williams

Son of the blues, boogie woogie and rhythm & blues, rock and roll was first known under the name of ‘jump blues’, a more rhythmic and sped up sub-genre of blues, with the well-marked (and very danceable) snare beat. In 1955, ‘Maybelline’ Chuck Berry’s first single is released, and with it, a new era begins. Admired by everybody from The Beatles and The Rolling Stones to Elton John, Eric Clapton and AC/DC, Chuck Berry's influence on the world of music has been massive. In The Many Faces of Chuck Berry we will explore his explosive live performances and his blues roots; we will dig deep into his catalog of hits performed by other artists and we will review some of his fellow early-rockers that changed the music landscape more than 60 years ago. With fantastic artwork, remastered sound and extensive liner notes, this an essential additional to your 20th century music collection.

Originally issued on three 10-inch LPs, these albums feature three outstanding but underrated jazz guitarists: Lou Mecca, Bill de Arango and Chuck Wayne.
Crisp, inventive and fleet-fingered, Mecca found his own voice from his main inspiration, Tal Farlow, whom he replaced in the Gil Mellé Quartet. Lous classical guitar sound is complemented in this 1954 Blue Note recording by fine vibist Jack Hitchcock, bassist Vinnie Burke and drummer Jimmy Campbell.
De Arango, among the first of the modern jazz guitarists in 52nd Streets heyday, hadnt recorded for a while when he made his album for EmArcy in 1954. His full sound, great swing and consistently imaginative power were in the Charlie Christian tradition, but, as this date proves, he was also very individual…

Born in Montreal, Quebec, Canada, A Silver Mt. Zion (just one of its many names) came to life in 1999 as a project for Godspeed You! Black Emperor member Efrim Menuck in his attempt to learn to score music. The original idea was pushed aside, and the project would go on to become a group setting, and was more in touch with the idea of the organic growth and exploration of music than the heavily composed and arranged theoretical work of Godspeed. Inspired to record an album of the music that had been made, Menuck built up the first version of A Silver Mt. Zion, taking on violinist Sophie Trudeau and bassist Thierry Amar, both known as collaborators in the Godspeed family. The band made its live debut in 1999 and released its first album, He Has Left Us Alone But Shafts of Light Sometimes Grace the Corner of Our Rooms…, on Constellation in 2000. Still known as A Silver Mt. Zion, the band expanded its membership in 2000 – adding cellist Beckie Foon, guitarist Ian Ilavsky, and violinist Jessica Moss – which led to the first of many name changes.