Momo

Momo Kodama (whose acclaimed album, Point and Line, contrasted Toshio Hosakawa and Claude Debussy) presents the piano concerto which Hosakawa wrote for her, the shimmering "Lotus Under the Moonlight." Composed in 2006, "Lotus" is also an homage to Mozart, with distant echoes of his Concerto No.23 in A Major, the work with which it is paired here in a concert recording from Japan with Maestro Seiji Ozawa and his Mito Chamber Orchestra.

The pianists Mari Kodama, Momo Kodama, Karin Kei Nagano and conductor Kent Nagano present Double and Triple Piano Concertos by Mozart and Poulenc, together with the Orchestre de la Suisse Romande on a new CD recording (Pentatone). Similar to Mozart’s own practice of making music with his family, the Nagano-Kodama family recorded Mozart’s piano concerto No. 7 for 3 pianos and No.10 for 2 pianos as well as Poulenc’s concerto for 2 pianos and orchestra.

Momo Kodama whose acclaimed New Series solo album Point and Line contrasted Toshio Hosakawa and Claude Debussy here presents the piano concerto which Hosakawa wrote for her, the shimmering Lotus under the moonlight. Composed in 2006, Lotus is also a homage to Wolfgang Amadeus Mozart, with distant echoes of Mozart’s Concerto. No 23 in A Major, the work with which it is paired here in a concert recording from Japan, with Maestro Seiji Ozawa and his Mito Chamber Orchestra. In a composer’s note Hosakawa writes that “Momo Kodama’s transparency, sensitivity and expressiveness have continued to inspire my piano music deeply. As she touches this magical instrument, she touches the mysterious energy of the universe and stirs my soul.”

Gianna Nannini is an Italian female singer-songwriter and pop musician. Among her song, "Bello e impossibile" (1986) was an international hit in Austria, Germany, Italy and Switzerland…

On his first full-fledged solo album, Byrne indulges his fascination with Latin and South American musical styles, employing a variety of native musicians but mixing up the sounds to suit his own distinctly non-purist vision and singing over the tracks the same kind of witty, oddball lyrics found on Talking Heads albums…