“Ten years after Beleza Tropical Volume 1 turned the world on to the popular music of Brazil (MPB), along comes volume 2 to bring us up to date. The first volume did a great job covering the 1960s and '70s; volume 2 does an equally impressive job in focusing on the late '80s and the '90s. The MPB scene is as vibrant as ever. Elder voices of the movement like Gilberto Gil, Caetano Veloso, and Sergio Mendes have recently put out some of the best work of their careers, and you'll find wonderful examples of that here. The new generation of MPB stars are also amply represented – Marisa Monte, Daniela Mercury, the late Chico Science, Moleque de Rua, Os Paralamas Do Successo, and others all contribute excellent work. The songs incorporate the technological changes of the past decade and meld elements of rock, jazz, funk, reggae, and African music with the rich traditions of Brazil. The result is music that is coherent, edgy, and creatively compelling. This compilation is very well sequenced, so that it doesn't sound like a hodgepodge of styles, but instead flows flawlessly from tune to tune.Jeff Grubb (Editorial Review, Amazon.com)
This CD reportedly went platinum the first day and a year later won the 2006 Latin Grammy for MPB, making Maria Rita 'two for two' in Latin Grammies for her first 2 CDs. Track 1, "Caminho das Aguas", won the 2006 Latin Grammy for Best MPB Song. his CD, recorded live in the studio, catches her rising star in mid-flight, after a great personal tragedy: the death of her mentor, Producer Tom Capone, to whom it is dedicated. Her selection of talented musicians and interesting songs continues to be flawless and perfect to her needs. And she has become more daring: in this case, ramping down to just VOICE AND TRIO. Tiago Costa on piano, Sylvinho Mazzucca on bass, and the muscular drummer Cuca Teixeira complete the group.
A true heavyweight, Caetano Veloso is a pop musician/poet/filmmaker/political activist whose stature in the pantheon of international pop musicians is on a par with that of Bob Dylan, Bob Marley, and Lennon/McCartney. And even the most cursory listen to his recorded output over the last few decades proves that this is no exaggeration.
Born in 1942 in Santo Amaro da Purificacao in Brazil's Bahia region, Veloso absorbed the rich Bahian musical heritage that was influenced by Caribbean, African, and North American pop music, but it was the cool, seductive bossa nova sound of João Gilberto (a Brazilian superstar in the 1950s) that formed the foundation of Veloso's intensely eclectic pop.
This is one of the most puzzling and beautiful records of the brazilian popular music (MPB). The show as a whole if a great manifest and a huge resistence act in the most dark period of the brazilian military dictatorship of that time… this record will surely fascinate you. Not to be missed."