Box set complete with 20 page black & white booklet. Including first two albums complete ("Peter Green's Fleetwood Mac" & "Mr. Wonderful") + tracks from "The Original Fleetwood Mac" and "Blues Jam At Chess" + singles…
Chess Records called Chicago home but the label often looked elsewhere for singers and singles. Usually, this amounted to some variation on direct licensing – independent record producers or studio owners would send sides to Chess, hoping for release – but between 1967 and 1969, Chess sent a number of its artists down to FAME Studios in Muscle Shoals in Alabama. This wasn't a burst of inspiration on the label's part. Chess was following the path of Atlantic, who had considerable success recording Wilson Pickett and Percy Sledge at FAME, but once Atlantic's Jerry Wexler fell out with FAME's Rick Hall, the Alabama studio had space for Chess artists and the Chicago label was willing.
Blues Jam In Chicago: Volume 1 — 2004 remastered reissue of 1969 album featuring Otis Spann, Shakey Horton, Honeyboy Edwards, J.T. Brown, Guitar Buddy, S.P. Leary, & Willie Dixon, features 15 tracks including 3 bonus tracks, 'Red Hot Jam' (Take 1), 'Bobby's Rock', & 'Horton's Boogie Woogie' (Take 1). Blues Jam In Chicago: Volume 2 — 2004 remastered reissue of 1970 album featuring Otis Spann, J.T. Brown, Honeyboy Edwards, J.P. Leary & Willie Dixon, features 18 tracks including 7 bonus tracks, 'My Baby's Gone', 'Sugar Mama' (Take 1), 'Honey Boy Blues', 'I Need Your Love' (Take 1), 'Horton's Boogie Woogie' (Take 2), 'Have A Good Time', 'That's Wrong', & 'Rock Me Baby'. Both editions includes expanded booklets with detailed notes & photos.
This was the most unusual, and probably the most difficult to assemble of MCA's Chess Box series, mostly because of the unusual nature of Willie Dixon's contribution to Chess Records. To be sure, Dixon rates a place in the history of the label right alongside that of Muddy Waters, Howlin' Wolf, and Little Walter, but his role was more subtle than that of a performer (indeed, two of the half-dozen recordings here that feature Dixon as a singer were previously unreleased)…
First the good news, which is really good: the sound on this 340-song set is about as good as one ever fantasized it could be, and that means it runs circles around any prior reissues; from the earliest Aristocrat sides by the Five Blazers and Jump Jackson & His Orchestra right up through Muddy Waters' "Going Down to Main Street," it doesn't get any better than this set. The clarity pays a lot of bonuses, beginning with the impression that it gives of various artists' instrumental prowess. In sharp contrast to the past efforts in this direction by MCA, however, the producers of this set have not emasculated the sound in the course of cleaning it up, as was the case with the Chuck Berry box, in particular.