Madeline Eastman The Speed Of

One might have expected that Silva Screen Records, here operating through the subsidiary label Silva Classics, would be more interested in Jean Michel Jarre's father Maurice Jarre than in the younger musician. After all, Reynold da Silva's record company specializes in making new recordings of music from film scores, and it's Maurice Jarre who's the famous screen composer, while Jean Michel Jarre is the synthesizer player who stages spectacular concerts and sells records in the millions with his new age music. But that's the point: this is The Symphonic Jean Michel Jarre, an attempt to take his music and play it as though it had been written like his father's. As usual, Silva employs the City of Prague Philharmonic Orchestra, with the Crouch End Festival Chorus along to provide the "ah" sounds as appropriate…

The Art of Noise‘s 1987 album In No Sense? Nonsense! is reissued as a two-CD deluxe edition in November 2018. Gary Lagan had left after In Visible Silence leaving Anne Dudley and J.J. Jeczalik to continue as a duo. Dudley recalls, “At that time, we were meeting new people, doing adverts and films and things. There was lots of new input. These adverts generated other new tracks. They would evolve and we’d agree they were good ideas. And we’d ask each other what would happen if we did this, this and this? So that kept everything evolving.” The reissue features newly-remastered audio including bonus seven-inch and 12-inch mixes including collaborations with Paul McCartney (the Art of Noise ‘Spies Like Us’ remix) and Duane Eddy (‘Spies’). Additionally, there are 22 unreleased recordings from the sessions, taken from the original master tapes.

Although she had earned worldwide fame in 1978 with "It's a Heartache," Bonnie Tyler had trouble building on that success looked as if she were doomed to one-hit wonder status by the early 1980s. However, she returned to prominence in 1983 with Faster Than Speed of the Night, a bombastic opus that took her gift for heartbroken balladry to epic heights. The key to the this album's success is the production and writing chops of Jim Steinman. He applies the same gothic operatic touch that made his work with Meat Loaf so captivating (and successful), wrapping the songs in atmospheric, all-stops-out arrangements that blend drama and power chords in equal measure.

A surprising fact from the musicological realm is that Haydn wrote about the same number of operas as Mozart–though it's true that some of them were written for the marionette theater at Esterhaza, rather than the opera house. In other words, old "Gius[eppe] Haydn"–as the title page of this opera refers to him–was a master. Better known to some by its alternate title, L'anima del filosofo, Haydn's Orfeo ed Euridice was written in 1791 for the King's Theater, Haymarket, during the composer's first English sojourn, but went unperformed there or anywhere else until 1950. The libretto, by Carlo Francesco Badini, is based on Ovid's Metamorphoses, with its decidedly unhappy ending to the story (Euridice dies a second time, Orpheus is poisoned, and the Bacchantes perish in a storm).

Peter Holman is a conductor known particularly for his interpretations of post-Renaissance English music, but he has also received acclaim for his performances of the works of European masters of the Baroque period, including Handel, Telemann, Vivaldi, and Monteverdi. He has recorded extensively for the English label Hyperion and has established parallel careers as a harpsichordist, organist, teacher (Royal Academy of Music and Colchester Institute), and music journalist.

The original 11 track album, remastered at Abbey Road Studios in London. 7 previously unreleased bonus audio tracks, including a version of Beware My Love featuring John Bonham. DVD featuring previously unreleased footage of Wings in Venice in 1976, a new behind-the-scenes edit from the 1976 Wembley shows, as well as the original music video for Silly Love Songs…