From delicate traditional Irish carols to uplifting anthems, Celtic Woman has a wealth of seasonal music to gladden your heart on their brand-new studio album 'The Magic of Christmas'. Hear stunning new arrangements of the classics Silent Night, O Holy Night, Auld Lang Syne, Deck the Halls and Sleigh Ride, alongside ancient Gaelic carols! The album fuses strings, Irish harp, bagpipes, the bodhran drum, paired with Tara's lilting fiddle and the crystalline voices of Mairead, Eabha and Megan.
Many know her as the front woman of Blackmore's Night where for the past 18 years she has been performing the songs she has co-written with her husband, legendary guitarist Ritchie Blackmore. With her 2nd solo offering, 'Starlight, Starbright', Night's vocal quality is richer than in years past, bringing you to a quiet and intimate place; a place of beauty and dreams, inspired by the birth of her children, Autumn (5) and Rory (3). 'I really felt just so completely full of love and part of this bigger picture, this miracle,' Night remembers. 'I wanted to sing to celebrate this incredible life that was occurring inside of me. I've never felt so spiritual.' On 'Starlight, Starbright' you will find new original melodies, some co-written and played with Ritchie Blackmore, some solo by Night.
To call West Side Soul one of the great blues albums, one of the key albums (if not the key album) of modern electric blues is all true, but it tends to diminish and academicize Magic Sam's debut album. This is the inevitable side effect of time, when an album that is decades old enters the history books, but this isn't an album that should be preserved in amber, seen only as an important record. Because this is a record that is exploding with life, a record with so much energy, it doesn't sound old. Of course, part of the reason it sounds so modern is because this is the template for most modern blues, whether it comes from Chicago or elsewhere.
To call West Side Soul one of the great blues albums, one of the key albums (if not the key album) of modern electric blues is all true, but it tends to diminish and academicize Magic Sam's debut album. This is the inevitable side effect of time, when an album that is decades old enters the history books, but this isn't an album that should be preserved in amber, seen only as an important record. Because this is a record that is exploding with life, a record with so much energy, it doesn't sound old. Of course, part of the reason it sounds so modern is because this is the template for most modern blues, whether it comes from Chicago or elsewhere. Magic Sam may not have been the first to blend uptown soul and urban blues, but he was the first to capture not just the passion of soul, but also its subtle elegance, while retaining the firepower of an after-hours blues joint…