Mahal Hikes

Taj Mahal's debut album was a startling statement in its time and has held up remarkably well. Recorded in August of 1967, it was as hard and exciting a mix of old and new blues sounds as surfaced on record in a year when even a lot of veteran blues artists (mostly at the insistence of their record labels) started turning toward psychedelia. The guitar virtuosity, embodied in Taj Mahal's slide work (which had the subtlety of a classical performance), Jesse Ed Davis's lead playing, and rhythm work by Ry Cooder and Bill Boatman, is of the neatly stripped-down variety that was alien to most records aiming for popular appeal, and the singer himself approached the music with a startling mix of authenticity and youthful enthusiasm…

Taj Mahal & Keb' Mo' - TajMo (2017) {Concord Records CRE00431} (Complete Artwork - jewel case with booklet)
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 314 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 600 dpi (jpg) -> 153 Mb | 5% repair rar
© 2017 Tajmo Records / Concord Records / Universal | CRE00431 / 0888072024649
Blues / Modern Acoustic Blues / Contemporary Blues / Modern Electric Blues

Keb' Mo' and Taj Mahal have been friends and colleagues for years but 2017's TajMo is the first time the pair have recorded an album. It also marks the first time Taj Mahal has entered a studio since 2008 – Keb' Mo' last released an album in 2014 – and if this seems like it should be a momentous occasion, what's striking about TajMo is how casual the whole affair is. The duo designed TajMo to be an upbeat, life-affirming listen, something that emphasizes how the blues can also offer a good time.

In less than 24 months, Taj Mahal (guitars/vocals/banjo/harmonica) had issued the equivalent of four respective long-players. The electric Giant Step was released alongside the acoustic and decidedly rural De Ole Folks at Home. The nine cuts on Giant Step feature support from the instrumental trio of Jesse Ed Davis (guitar/keyboards), Gary Gilmore (bass), and Chuck Blackwell (drums). They back Taj Mahal on a wide selection of covers ranging from Carole King and Gerry Goffin's "Take a Giant Step" to the upbeat and soulful reading of the Huddie Ledbetter blues staple "Keep Your Hands Off Her." The arrangements are unique and offer the artist's distinctive approach. Nowhere is this more evident than the practically jovial midtempo "Good Morning Little Schoolgirl" or the freewheeling abandon brought to the 18-wheeler anthem "Six Days on the Road"…

Deva Mahal is a soul and R&B singer living in New York. Mahal is the daughter of US-American blues musician Taj Mahal. Her Album Run Deep is a rare combination of masterful songwriting and breathtaking vocal talent, Deva Mahal steps into the spotlight on her debut, 'Run Deep', an album of pulse-pounding soul with a decidedly modern edge. Taking inspiration from the idea of strength through vulnerability, Deva powerfully connects with her audience with raw honesty, rich musicality, and emotionally searing songs of love and loss, and the power of the human spirit to overcome adversity.

When one evaluates Paul Horn's career, it is as if he were two people, pre- and post-1967. In his early days, Horn was an excellent cool-toned altoist and flutist, while later he became a new age flutist whose music is often best used as background music for meditation. Horn started on piano when he was four and switched to alto at the age of 12…

Keb' Mo' and Taj Mahal have been friends and colleagues for years but 2017's TajMo is the first time the pair have recorded an album. It also marks the first time Taj Mahal has entered a studio since 2008 – Keb' Mo' last released an album in 2014 – and if this seems like it should be a momentous occasion, what's striking about TajMo is how casual the whole affair is. The duo designed TajMo to be an upbeat, life-affirming listen, something that emphasizes how the blues can also offer a good time. If the album can occasionally seem a little too crisp and polished – it's bright and shiny without a hint of grit – it's also true that this reflects the lightness at the heart of TajMo.

Keb' Mo' and Taj Mahal have been friends and colleagues for years but 2017's TajMo is the first time the pair have recorded an album. It also marks the first time Taj Mahal has entered a studio since 2008 - Keb' Mo' last released an album in 2014 - and if this seems like it should be a momentous occasion, what's striking about TajMo is how casual the whole affair is. The duo designed TajMo to be an upbeat, life-affirming listen, something that emphasizes how the blues can also offer a good time. If the album can occasionally seem a little too crisp and polished - it's bright and shiny without a hint of grit - it's also true that this reflects the lightness at the heart of TajMo. Sometimes it gets so light it's almost glib - witness the cover of the Who's "Squeeze Box" - but Taj Mahal and Keb' Mo' are also determined to broaden the scope of the blues…

Though an expectedly eclectic mix of blues, calypso, Caribbean music, and bits of reggae, disco, and other pop forms, Music Fuh Ya (Musica Para Tu) was not one of Mahal's more inspired outings. No one could criticize Mahal for lack of ambition in his efforts to integrate more styles into the folk-blues blend at the core of his music. But the surfeit of instrumentation, particularly the steel drums, were sometimes distractions more than enhancements, resulting in a forced, slick party atmosphere to cuts like "You Got It." Something like a cover of the blues-folk classic "Freight Train" plays much more to Mahal's strengths, but the trimmings of jazzy sax and steel drums aren't necessary when Taj alone could do a more convincing version…