Mahalia Jackson rewrote the rules for singing gospel in the late '40s by bringing blues phrasing and other secular elements into sacred song, and with her powerful alto, she sang with an immediacy and conviction that are still startling when they break out of the speakers some 30 years after her death. This two-disc set collects tracks from Jackson's long stay at Columbia Records, as well as a few tracks from her previous label, Apollo Records, where she recorded from 1947 until signing with Columbia in 1954.
With three discs featuring a total of 63 tracks, this is Mahalia Jackson's complete output for the Apollo label from 1946 to 1954. These are the recordings that brought Jackson to a national audience right up to her breakthrough with Columbia Records and the ones that literally made gospel recording history. Highlights can be found anywhere the laser beam falls on any of the three discs in this set, but her performances of "Go Tell It on the Mountain," "His Eye Is on the Sparrow," "In the Upper Room, Pts. 1 & 2" "Move on Up a Little Higher," "What Could I Do," "Ever Me," "I'm Going to Tell God," "Dig a Little Deeper," and "Walk with Me," "In My Home Over There," "Just Over the Hill, Pts. 1 & 2," and "Walking in Jerusalem" are too perfect for words and should simply be in everyone's gospel collection as some of the best the genre has to offer. Marvelous transfers of the original master tapes plus great notes by AMG contributor Opal Louis Nations are just extra icing on the cake to this essential collection.
Just the fact that Ellington's extended masterpiece "Reminiscing in Tempo" is included here in its original and continuous form is reason enough to pick up this compilation. Initially recorded in 1935, "Reminiscing" was the first thoroughly composed jazz piece and one that not only demonstrated Ellington's knack for longer forms, but also featured practically all of his singular soloists. Upon its first release, the 13-minute piece was broken up over a few 78s, later making its way into EP form. Currently, the Classics label includes it on one of its Chronological discs, but spread over four distinct tracks. So, this 1991 Columbia release might be the only way to get this great work in its seamless form as it was originally recorded. Collector's concerns aside, this CD was the audio companion to an Ellington documentary aired on PBS. Predictably, it provides something of an overview of Ellington's career, beginning with a recording of "The Mooche" from his Cotton Club days in the late '20s up through a version of "Black Beauty" from 1960.