Mahavishnu is an album by the Mahavishnu Orchestra, released in 1984 by Warner Bros. Records. During the 1980s, John McLaughlin reformed the Mahavishnu Orchestra for release of the two albums Mahavishnu and Adventures in Radioland. This band's overall sound was radically different from the original Mahavishnu Orchestra, in particular because of McLaughlin's extensive use of the Synclavier synthesiser system.
Mahavishnu is an album by the Mahavishnu Orchestra, released in 1984 by Warner Bros. Records. During the 1980s, John McLaughlin reformed the Mahavishnu Orchestra for release of the two albums Mahavishnu and Adventures in Radioland. This band's overall sound was radically different from the original Mahavishnu Orchestra, in particular because of McLaughlin's extensive use of the Synclavier synthesiser system.
"Love Devotion Surrender" is an album released in 1973 by guitarists Carlos Santana and John McLaughlin, with the backing of their respective bands, Santana and The Mahavishnu Orchestra. The album was inspired by the teachings of Sri Chinmoy and intended as a tribute to John Coltrane. It contains two Coltrane compositions, two McLaughlin songs, and a traditional gospel song arranged by Santana and McLaughlin. It was certified Gold in 1973.
Carlos Santana and John McLaughlin are two of jazz-rock's finest guitarists, virtuosos who temper their fire with deep spirituality. This album is a summit meeting between the two string wizards and their respective bands; Santana's percussionists mix it up with Jan Hammer and Billy Cobham of the Mahavishnu Orchestra. The guitarists created this album as a tribute to their then-guru, spiritual leader Sri Chinmoy. The passion and purity of their belief in Chinmoy's teachings is matched by the technical facility that could only have come from the discipline their faith provided them.,.
Two guitar giants. A collective band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album, commonly referred to as the equivalent of aural nirvana. Still the only meeting of Santana and John McLaughlin, Love Devotion Surrender more than lives up to the promise offered by its principal creators as it’s a spiritual journey based in divine faith, religious toleration, and the forward-thinking philosophy that music can take us closer to the truth. These enlightening concepts are reflected in the playing of Santana and McLaughlin, who repeatedly hit a higher plane on this stunning 1973 set.
Having each become a follower of Indian guru Sri Chinmoy, Santana and McLaughlin began playing together in 1972, with each legend currently in the midst of personal and creative transition…
Two guitar giants. A collective band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album, commonly referred to as the equivalent of aural nirvana. Still the only meeting of Santana and John McLaughlin, Love Devotion Surrender more than lives up to the promise offered by its principal creators as it’s a spiritual journey based in divine faith, religious toleration, and the forward-thinking philosophy that music can take us closer to the truth. These enlightening concepts are reflected in the playing of Santana and McLaughlin, who repeatedly hit a higher plane on this stunning 1973 set.
Having each become a follower of Indian guru Sri Chinmoy, Santana and McLaughlin began playing together in 1972, with each legend currently in the midst of personal and creative transition…
With Maternity Beat, Hedvig Mollestad has surpassed herself, most significantly as a composer and arranger, and delivered her most ambitious work to date. And that´s not a proclamation to be taken lightly. Mollestad, after all, has been one of Norway’s most adventurous and hardest-working musicians since the Molde International Jazz Festival named her the Young Jazz Talent of the Year in 2009. Recorded with the 12-piece Trondheim Jazz Orchestra (who have previously worked with legends like Chick Corea and Joshua Redman), Maternity Beat is a sprawling double album and true career milestone. The sheer sonic and emotional scope of this album required Mollestad wear multiple hats: guitar explorer, composer, arranger, improviser, collaborator, and, as the striking title implies, mother.