Mahler Ozawa

The most prestigious classic collection.
This collection contains 100 numbered CD containing various works of classic authors of the 16th century to the 20th century. It offers an exclusive window on classical music, for addressing styles and eras.

The Greek-born Dimitri Mitropoulos (1896–1960) was incredibly gifted – his photographic memory allowed him to conduct without a score in concert and also in rehearsal! After studies in Athens, Brussels and Berlin, he took various posts in Greece. In 1930, Mitropoulos played the solo part in Prokofiev’s Piano Concerto No.3 with the Berlin Philharmonic and conducted the work from the keyboard, becoming the first modern musician to do so. He made his US debut in 1936 and went on to become principal conductor of the Minneapolis Symphony Orchestra (1937–1949) and then music director of the New York Philharmonic (1951–1957), where he was eventually succeeded by Leonard Bernstein. He expanded the repertoire of the NYPO and championed Mahler’s symphonies in particular.

The Japanese company, BMG Japan, sorted the original RCA RED SEAL CDs according to the composers and the year when the music pieces were created. BEST100 series are the best representative CDs, which were carefully chosen from those music pieces by acting and recording, and they were released again with the mark of RCA BEST100. These CDs are the most impressive records in the classical field at RCA’s best. Theoretically, we could find the single originals of those CDs, but BMG Japan reorganised excellently for everyone. During BMG Japan period, it was released for the first time in 1999 and for the second time in 2008 after SONY took over BMG. BEST100 series belong to the latter.

The intent of this set is pretty clear from the titles of each of the six discs: Meditations; Orchestral Fireworks; Invitation to the Dance; Nocturne; Pomp & Circumstance; Grand Opera. This is mood or 'theme' music designed to provide either a background or a sequence of 'tasters' initiating the person who comes fresh to classical music with a sampling from the 'great and the good'. True the 'great and the good' are all from the core repertoire; not even a scintilla of Janacek, Nielsen, Adams, Reich which is a shame.

2009 Marks The 111th Anniversary Of Deutsche Grammophon. Over 11 Decades, The Label's Philosophy Has Always Been 'The Greatest Recordings By The Greatest Artists In The World' And Now They Showcase This With This Incredible 55 Cd Box Set. This Unique Collection Forms Dg's Major Release In Its 111th Anniversary Celebrations. The Limited Edition Box Set Gathers Together Many Landmark Recordings, From The Past To The Present. Most Of Them Appear Complete, As Originally Programmed, In Their Original Cover Art And Several Include Additional Material.

Born in Chambéry in 1976, Renaud Capuçon studied at the Conservatoire National Supérieur de Musique de Paris with Gérard Poulet and Veda Reynolds. He was awarded first prize for chamber music in 1992 and first prize for violin with a special distinction from the jury in 1993. In 1995 he won the Prize of the Berlin Academy of Arts. Then he studied with Thomas Brandis in Berlin, and later with Isaac Stern. Invited by Claudio Abbado in 1997, he continued his musical experiences as konzertmeister of the Gustav Mahler Jugendorchester during three summers with Pierre Boulez, Seiji Ozawa, Daniel Barenboim, Franz Welser-Moest and of course Claudio Abbado. In 2000 he was nominated “Rising Star” and “New talent of the Year” (French Victoires de la Musique), in 2005 “Soliste instrumental de l’année”, also by the French Victoires de la Musique, and in 2006 “Prix Georges Enesco” (Sacem).

It's a bit depressing how many new releases from the "major" classical labels these days consist of recycled old recordings, but give Deutsche Grammophon credit for the thinking that obviously went into this four-CD box entitled The Four Seasons: A Musical Calendar of Favourite Classics. In a way, this is yet another milking of the perennially salable Vivaldi Four Seasons; each of the four discs (Spring, Summer, Fall, and Winter) opens with a complete performance of its respective concerto from that set, in the Gil Shaham recording with the Orpheus Chamber Orchestra.