Make Joy Bryan

Roger Shah, Mr Magic Island, is a 5 times awarded DJ Mag Top 100 artist. With more than 600 releases in over 80 countries, countless considered classics, his music videos have been watched over 100 million times on YouTube. He’s played at the most important clubs around the world - from Privilege Ibiza to Zouk in Singapore, Ultra Music Festival in the Olympic Stadium in Seoul, A State Of Trance and Future Sound Of Egypt events around the globe. As a producer and remixer he has worked for artists such as Tiësto, Armin Van Buuren, Paul Van Dyk, Oakenfold and platinum selling artists such as Sarah MacLachlan, Moya Brennan, Kosheen, Bryan Adams and many more.

From the beloved and trusted JUST THE HITS range, comes an inarguably groovy decade-based addition – THE SEVENTIES! An unmistakably value-packed, hit-laden, all-killer collection of highly recognisable, well-loved and anthemic tracks from the decade that provided the world with some of the most loved and enduring anthems of the ages. The tracklist features a superstar rollcall of artists and their mega-hits – from ABBA to Elton John, Neil Diamond to Blondie, alongside Motown classics (Jackson 5, Marvin Gaye, Stevie Wonder, Rick James and The Commodores) further imbued with Australian classics from Helen Reddy, Cold Chisel, Little River Band, Aussie Crawl and many many more!

In 2018, country music is still well and truly alive and kicking. We’re not talking about the alien world of mega festivals and musical compromise for the sake of commerce, we’re talking about the art of songwriting, the rootsy pull on heartstrings and mainlining of heartache and devotion through the songs and stories of musicians from across the wide Australian expanse. Take Me To Town lays its mission statement out with its title. It’s a collection of alternative country songs. 47 of them. They’re the kinds of songs you’ll hear in pubs, bars, cafes and bowling clubs on any day of the week. Whether there are five people and a dog in front of the artist or a raucous room, packed to the gunnels, hot and noisy; these musicians sing their stories and play their instruments with heartfelt conviction.

In 2018, country music is still well and truly alive and kicking. We’re not talking about the alien world of mega festivals and musical compromise for the sake of commerce, we’re talking about the art of songwriting, the rootsy pull on heartstrings and mainlining of heartache and devotion through the songs and stories of musicians from across the wide Australian expanse. Take Me To Town lays its mission statement out with its title. It’s a collection of alternative country songs. 47 of them. They’re the kinds of songs you’ll hear in pubs, bars, cafes and bowling clubs on any day of the week. Whether there are five people and a dog in front of the artist or a raucous room, packed to the gunnels, hot and noisy; these musicians sing their stories and play their instruments with heartfelt conviction.

Deutsche Grammophon presents Winter Tales – a new seasonal album featuring music from some of the label’s star composers, who were invited to reimagine the music of Christmas and Chanukah, drawing inspiration from their childhoods and homelands. The album, which is due for release on 21 October, comprises 12 very personal responses to that creative challenge, all of which have something fresh and timely to say about winter’s promise of renewal and light’s power over darkness.

In 2018, country music is still well and truly alive and kicking. We’re not talking about the alien world of mega festivals and musical compromise for the sake of commerce, we’re talking about the art of songwriting, the rootsy pull on heartstrings and mainlining of heartache and devotion through the songs and stories of musicians from across the wide Australian expanse. Take Me To Town lays its mission statement out with its title. It’s a collection of alternative country songs. 47 of them. They’re the kinds of songs you’ll hear in pubs, bars, cafes and bowling clubs on any day of the week. Whether there are five people and a dog in front of the artist or a raucous room, packed to the gunnels, hot and noisy; these musicians sing their stories and play their instruments with heartfelt conviction.