It’s been a little while since Eric Records’ acclaimed “Hard-To-Find 45s on CD” series visited the 1970s. And, we’ve never stretched into the ’80s! That makes Hard-To-Find 45s on CD Vol. 14: 70s & 80s Pop Classics a welcome addition to the family, as it celebrates the glittering decades that found popular music getting more popular – and unpredictable – than ever before. Hold on tight – or you might get whiplash as we survey nearly 20 years’ worth of pop rarities!
Bestselling Smooth Jazz - Kool&Klean - Volume VII is a venture to groovy, romantic, fresh and sexy world. Wherever you are and whatever you do, this music will always be a good companion. Prove it to yourself and become a part of Koolness. This album is a 7th installment from Contemporary Producer and Saxophonist Konstantin Klashtorni for bestselling Kool&Klean series. Only best, carefully selected tracks are on this CD. Make sure to read reviews on previous Kool&Klean releases on Amazon.com, listen carefully to the music and decide it for yourself.
As a concept it’s a revelation – the original versions of (mostly) familiar songs that went on to become big hits by other artists. Familiarity is turned on its head as mental receptors attuned to the better-known hit versions – the received wisdom, if you like – are challenged for attention by the performers who made the original recordings to little or no acclaim. It’s a parallel universe where the reassuringly familiar landscape is a beautiful illusion.
In the last half-century, women have fought their way into nearly every sphere of American life, from the battlefield to the comedy club, the soundstage to the Senate. Each documentary in this six-part series examines the impact of the women’s movement on six fields once largely closed to women: business, space, Hollywood, comedy, war and politics. In each field, women have pried open, and profoundly reshaped, the central institutions of American life and culture. Through intimate interviews with trailblazing women known and unknown, viewers are given a rare glimpse– sometimes funny, sometimes sad, and always candid—of what it was like to be pioneers in their fields.
The astonishing technical variety and wide emotional range contained in Domenico Scarlatti’s keyboard sonatas make each and every encounter a rewarding adventure in which the listener is seldom left untouched. This is Pierre Hantaï’s third solo disc of Scarlatti’s sonatas though only the second in his current series for the Mirare label. It contains several pieces less frequently performed than others and with which many readers may find themselves unfamiliar. The first item, in fact, is one of only seven sonatas of Scarlatti’s that is a straightforward fugue. It is an uncharacteristically didactic piece, even a shade austere compared to the rest of Hantaï’s recital which contains a kaleidoscope of colourful images. What Hantaï seems to be emphasising in his choice is that elusive, somewhat abstracted improvisatory quality present in so many of the pieces and of which the Sonata in E major K 215 provides a well-sustained example. Generally speaking, Hantaï follows Ralph Kirkpatrick’s suggestion that Scarlatti probably intended to group his sonatas into pairs or occasionally threes according to key.