Malcolm Day

Nick Malcolm Quartet - Beyond These Voices (2014) {Green Eyes Records}

Nick Malcolm Quartet - Beyond These Voices (2014) {Green Eyes Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 286 Mb | MP3 @320 -> 131 Mb
Full Artwork @ 300 dpi (png) -> 27 Mb | 5% repair rar
© 2014 Green Eyes Records | GE 15
Jazz / Free Improvisation / Modern Composition / Trumpet

Beyond These Voices is the Nick Malcolm Quartet’s second CD release in three years. Trumpeter Malcolm has recruited some of the key figures of a new generation of UK musicians working across a shifting, frequently invisible, boundary of composed and improvised music. Seven of the nine tracks are Malcolm compositions, the others are improvised pieces (one by Malcolm and bassist Olie Brice, one by pianist Alexander Hawkins and drummer Mark Whitlam).
James Richman & Dallas Bach Society - Handel: Messiah, HWV 56 (1741 Original Version – Prepared by Malcolm Bruno) (2024)

James Richman & Dallas Bach Society - Handel: Messiah, HWV 56 (1741 Original Version – Prepared by Malcolm Bruno) (2024)
FLAC (tracks), Lossless | 2:23:10 | 659 Mb
Genre: Classical

The Dallas Bach Society joined with their director and prominent harpsichordist James Richman provide a masterful debut recording with Onyx Classics, Handel’s ‘Messiah’, a new edition provided by Malcolm Bruno based on the original 1741 score. Handel had composed the work at an astounishing pace, spending less than a month in the summer of 1741. At its premiere in Dublin, over 700 patrons overcrowded the Musick hall, with the ladies had been requested to dress ‘without hoops’ in help make room. The Messiah was an instant hit and is established as Handel’s greatest works.
James Richman, Dallas Bach Society - Handel: Messiah, HWV 56 (1741 Original Version – Prepared by Malcolm Bruno) (2024) [24/96]

James Richman & Dallas Bach Society - Handel: Messiah, HWV 56 (1741 Original Version – Prepared by Malcolm Bruno) (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 143:32 minutes | 2,63 GB
Classical, Oratorio | Label: Onyx Classics, Official Digital Download

The Dallas Bach Society joined with their director and prominent harpsichordist James Richman provide a masterful debut recording with Onyx Classics, Handel’s ‘Messiah’, a new edition provided by Malcolm Bruno based on the original 1741 score. Handel had composed the work at an astounishing pace, spending less than a month in the summer of 1741. At its premiere in Dublin, over 700 patrons overcrowded the Musick hall, with the ladies had been requested to dress ‘without hoops’ in help make room. The Messiah was an instant hit and is established as Handel’s greatest works.
Malcolm Martineau - The Complete Songs of Poulenc, Vol. 3 (2011) [Official Digital Download]

Malcom Martineau, J.M. Ainsley, L. Anderson, S. Fox, J. Lemalu, L. Milne, A. Murray, R. Murray, Th. Oliemans - Poulenc: The Complete Songs of Poulenc, Vol. 3 (2015)
FLAC (tracks) 24-bit/48 kHz | Time - 61:46 minutes | 538 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal. This is the third release in our series that will build to encompass the complete songs of Francis Poulenc – performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.
Malcolm Martineau - The Complete Songs of Poulenc, Vol. 1 (2011) [Official Digital Download]

Malcom Martineau, L. Anderson, J. Lemalu, F. Lott, L. Milne, C. Maltman, R. Murray - The Complete Songs of Poulenc, Vol. 1 (2011)
FLAC (tracks) 24-bit/44.1 kHz | Time - 69:20 minutes | 560 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalisation, Poulenc set his music to a wide range of French poetry – both ancient and modern, and from the serious to the surreal.
Malcolm Martineau - The Complete Songs of Poulenc, Vol. 4 (2013) [Official Digital Download]

Ann Murray, John Mark Ainsley, Magdalena Molendowska, Malcolm Martineau, Sarah Fox, Thomas Oliemans, William Dazeley - The Complete Songs of Poulenc, Vol. 4 (2013)
FLAC (tracks) 24-bit/48 kHz | Time - 69:05 minutes | 621 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal. This is the fourth release in our series that will build to encompass the complete songs of Francis Poulenc – performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.
George Malcolm & Karl Munchinger - J.S. Bach: Harpsichord Concertos - The Art Of Fugue (2017)

George Malcolm & Karl Munchinger - J.S. Bach: Harpsichord Concertos - The Art Of Fugue
Classical | MP3 CBR 320 kbps | 134:21 min | 310 MB
Label: Decca | Tracks: 25 | Rls.date: 2017

There were many worlds in George Malcolm’s (1917–1997) universe – organist, harpsichordist, pianist, composer, choral director and conductor – and this one demonstrates his unique skill as a solo performer who, throughout his career, more than any other individual defined the harpsichord’s identity in England. After World War II Malcolm became the most famous English harpsichordist of his day, with a brilliant technique, superb musicianship and an idiosyncratically modern approach to playing which, for his audiences, came to exemplify the very nature of the instrument itself. In celebration of the centenary of his birth (28 February 1917).
Sylvia Schwartz,  Malcolm Martineau - Canciones Espanolas: Granados, Guridi, Turina, Toldrá, Montsalvatge (2013)

Sylvia Schwartz, Malcolm Martineau - Canciones Espanolas: Granados, Guridi, Turina, Toldrá, Montsalvatge (2013)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 217 MB
Genre: Classical | Label: Hyperion | Catalog Number: 67954

A deeply seductive album of Spanish songs by composers including Granados and Turina, performed by the young Spanish soprano Sylvia Schwartz, whose commitment to this repertoire is described above, and is evident from her utterly enchanting performances.
George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos (2017)

George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos
Classical | MP3 CBR 320 kbps | 74:16 min | 171 MB
Label: Decca | Tracks: 17 | Rls.date: 2017

* Featuring many tracks for the first time on CD. There were many worlds in George Malcolm's (1917–1997) universe – organist, harpsichordist, pianist, composer, choral director and conductor – and this one demonstrates his unique skill as a solo performer who, throughout his career, more than any other individual defined the harpsichord's identity in England.

George Malcolm - The World of George Malcolm (2017)  Music

Posted by SERTiL at Nov. 22, 2017
George Malcolm - The World of George Malcolm (2017)

George Malcolm - The World of George Malcolm
Classical | WEB FLAC (tracks) & front cover | 75:08 min | 434 MB
Label: Decca | Tracks: 22 | Rls.date: 2017

"Gripping Nostalgia" - Observer There were many worlds in George Malcolm's (1917–1997) universe – organist, harpsichordist, pianist, composer, choral director and conductor – and this one demonstrates his unique skill as a solo performer who, throughout his career, more than any other individual defined the harpsichord's identity in England. After World War II Malcolm became the most famous English harpsichordist of his day, with a brilliant technique, superb musicianship and an idiosyncratically modern approach to playing which, for his audiences, came to exemplify the very nature of the instrument itself. In celebration of the centenary of his birth (28 February 1917).