Malipiero

As the notes to this welcome release make clear Stokowski had never conducted The Four Seasons before the Phase Four series of LPs of which this is so engaging an example. He, soloist Hugh Bean and the New Philharmonia went to the BBC’s Maida Vale studios and taped it for later broadcast (in the end it wasn’t until 1968 that it hit the airwaves), recording it the following day. The late Hugh Bean has recalled that it was in the can in one session – Stokowski remaining the professional to his batonless fingertips.

Alfredo Casella was an outstanding if uneven composer who led several of his contemporaries – Respighi, Malipiero, Pizzetti, and others – in a struggle to modernize Italian music. His interests as a composer and as an author of articles on music were highly cosmopolitan, as may be gathered from his early enthusiasms for Debussy, the Russian nationalists, Strauss, Bartók, and Schoenberg. Yet Casella was also intensely inspired by Italian culture, both its folkways and its Futurism movement.

Yūji Takahashi is a composer, pianist, critic, conductor, and author. Yuji Takahashi studied under Roh Ogura and Minao Shibata at the Toho Gakuen School of Music. In 1960, he made his debut as a pianist by performing Bo Nilsson's Quantitäten. He received a grant from The Ford Foundation to study in West Berlin under Iannis Xenakis in 1962 and stayed in Europe until 1966, also stayed in New York under Rockefeller Foundation scholarship until 1972. He founded 'Suigyu Gakudan' (Water Buffalo band) in 1978 as introducing international protest songs, starting from Thailand, mainly performing Asian songs, also published monthly journal 'Suigyu Tsushin'.

Starting from our common passion for Italian instrumental music of the early twentieth century, we, Chiara Burattini and Umberto Jacopo Laureti, declare that we have composed a picture (as varied as possible) around the two key figures of the world of piano (Busoni) and cello (Mainardi) of the time. From the Kultaselle variations (a youthful page, dense and full of passion) and from Busoni's seraphic Albumblatt, we passed through the Art Nouveau drawings of the Wolf-Ferrari Sonata and the Two Album Pages of Alaleona, ending with the Malipiero Sonatines and by Mainardi (the latter, together with the songs by Alaleona, in the very first recording).

The futurists noisily proclaimed their message in Italy prior to the outbreak of World War I. Manifesto followed on manifesto, every form of violence, including war, was glorified, and anarchism, misogyny, and the destruction of everything representing tradition was preached. A few composers were also among their ranks, but Steffen Schleiermacher's latest discovery demonstrates that their works sometimes contrasted greatly with the literary pamphlets issued by this group. Steffan Schleiermacher continues his extraordinary recordings for MDG with this new CD.