Manfred Mann

Somewhere in Afrika, an ode to Mann's home country of South Africa, contains a formula that is atypical of Manfred Mann's Earth Band sound. With rhythms that combine an African flavor with a modern rock feel, vocalist Mick Rogers takes over on vocals with the number 22 hit "Runner," released as the album's only single…

The reason that The Roaring Silence became Manfred Mann's Earth Band's best-selling album may have been because of both Bruce Springsteen-penned singles, but its instrumental makeup, by way of Mann's keyboard manipulation coupled with Chris Thompson's chiseled singing, had just as much of an affect…

1986's Criminal Tango is one of the more intriguing titles in Manfred Mann's Earth Band extensive catalog. Not only is it filled with some of the more memorable cover versions in their four decade career, Criminal Tango is truly a rocking session that keeps their musical tradition alive…

By 1978, MMEB were round about their peak in terms of success. Creatively, they appeared to have stalled, if anything moving back towards a more commercial sound. That said, they were still producing excellent albums…

Another piece of topical hard rock from Manfred Mann's Earth Band and, as before, listenable even to those without a serious bone in their bodies, by virtue of the playing. Moving between hard rock and British blues influences (with a special debt to Cream on the opening cut, "Give Me the Good Earth") and progressive rock, the quartet cuts a mean swathe across the sonic landscape, between Mick Rogers' soaring guitar solos and Manfred Mann's inimitable synthesizer work…

Opening with Mike Hugg's title track, which builds on Mick Rogers' intense riffing and the killer vocals of Vicki Brown, Judith Powell, Liza Strike, and Ruby James, Messin' is pretty intense and involving from its very first bars. It's also damned topical and serious, for all of the free-wheeling rock & roll spirits and the progressive rock complexities that go into the playing. And the result is a spellbinding whole, featuring some astonishing keyboard flourishes by Manfred Mann himself (who ventures into Rick Wakeman and Keith Emerson territory on "Buddah," even as the rest of the band seems to be emulating Deep Purple) and killer guitar from Mick Rogers, while Colin Pattenden and Chris Slade lay down the rhythm section like a pair of articulate pile-drivers…

To put it bluntly, the last great album by the Earth Band for their amazing progressive rock turned into a commercial regression. Even though "Watch" is riding on the heels of their most commercial songs ever ("Blinded By The Light"), and even produced a smash single of its own ("Davy's On The Road Again"), it is still a certified masterpiece of progressive rock. That fact is only back up by the album's swirling mellotron solos and catchy acoustic guitars…

Fans of muscular progressive rock will love Solar Fire, a concept album loosely designed around cosmology. The album opens with the majestic "Father of Night, Father of Day," which has the drive and complexity of a prime King Crimson track…

Manfred Mann's 1980 album is a strange mix of topical songwriting, progressive rock, and power pop – from its opening seconds, the Earth Band is pressing serious messages and social commentary on their listenership amid swirling prog rock keyboards and catchy guitar hooks and choruses…

This double-CD replaces EMI's Best Of anthology (1992) as the collection of choice for their British Invasion years due to its slightly more extensive length (34 tracks), including most of the tracks on the previous compilation…