Marianne

"Inspired by Duccio's polyptych, Swiss composer Frank Martin decided to write a work in six ‘tableaux’ based on the Passion of Christ. In ‘Polyptyque’, a concerto for violin and two small orchestras rooted in the music of Bach, Martin sets out to transpose musically the scenes of the Crucifixion.

Marianne Piketty and the Ideal Concert, with the help of numerous unpublished practical documents, embark on the adventure of a journey to the heart of this Venetian school, where so many musical currents, sometimes antagonistic and anachronistic, have rubbed shoulders and let everything and its opposite germinate, without tension.

"Inspired by Duccio's polyptych, Swiss composer Frank Martin decided to write a work in six ‘tableaux’ based on the Passion of Christ. In ‘Polyptyque’, a concerto for violin and two small orchestras rooted in the music of Bach, Martin sets out to transpose musically the scenes of the Crucifixion.

Melody is something I have been passionate about throughout my career as a composer. Crafting a melody that is captivating yet simultaneously original and unpredictable.

Through the melodies of Barber, Bizet, Delage, Delibes, Granados, Lavallee and Paladihle, this selection evokes escaping, journeying, dreaming and sensuality.

“Marianne Crebassa Is Splendidly Charismatic.” – The New York Times

Bizet: Habanera, Seguedille & Chanson boheme aus Carmen+Falla: Vivan los que rien aus La Vida breve; Seguidille
+Massenet: Quand la femme a vingt ans aus Don Quichotte; Nuit d'Espagne

After a first album devoted to early English music, Les inAttendus tackle Bach’s magnum opus: The Art of Fugue.

Inspired by the polyptych of Duccio, the Swiss composer Frank Martin decided to write a work in six "tableaux" based on the Passion of Christ.

The pandemic was a sudden shutdown, but also an opportunity. The newly found free time made it possible to devote oneself to certain projects left fallow.