…Marianne has spent her life researching this work. She displays that rare intelligence that allows all "misfortunes" to be converted to her benefit. There is a detachment that allows one to be intimately involved with, but not consumed by this type of work. This is her best work in quite some time. She deserves all the accolades that come her way as a serious singer who can pull off the piece. A wonderful disc from one whose live presence we must count as miraculous considering what she has lived through.
…Marianne has spent her life researching this work. She displays that rare intelligence that allows all "misfortunes" to be converted to her benefit. There is a detachment that allows one to be intimately involved with, but not consumed by this type of work. This is her best work in quite some time. She deserves all the accolades that come her way as a serious singer who can pull off the piece. A wonderful disc from one whose live presence we must count as miraculous considering what she has lived through.
Kurt Weill's ballet with songs is one of this century's greatest theatrical works. It has all the wit and melodic appeal of The Threepenny Opera and social conscience of Mahagonny, but more warmth and musical sophistication than either. It's also all over with in about 40 minutes. Some critics believe the piece was intended as a sort of love poem to Weill's wife, Lotte Lenya; given the tenderness of much of the music, it's hard to disagree. Lenya herself recorded the piece in the 1950s (a recording recently reissued by Sony) and this very much newer performance is welcome particularly for Anne Sofie von Otter's highly intelligent and musical way with the text. The other songs, from both Weill's Berlin and Broadway periods, make the perfect filler.
Few stars of the '60s reinvented themselves as successfully as Marianne Faithfull. She began her career as a pop thrush who scored an international hit with her version of "As Tears Go By," which was released well before the Rolling Stones recorded it, and a string of successful singles followed in the U.K. Initially, Faithfull was known as much for her blonde beauty and her relationship with Mick Jagger as she was for her gentle voice and talent as an interpretive vocalist, though she recorded a fine folk album, 1966's North Country Maid, that showed her gifts stretched beyond polished pop.
Though there is no musical resemblance, the title track of Marianne Faithfull's Give My Love to London looks back at her brilliant reading of Kurt Weill's and Bertolt Brecht's "Pirate Jenny" on her 20th Century Blues album from 1997, and even mentions her by name. Co-written with Steve Earle, who frames her lyrics in an acoustic, Celtic, country stomp, it's a conqueror's last laugh: she's survived the best attempts at securing her demise. (Bouts with cancer and a fall that broke her sacrum in four places among them.) Faithfull's previous four albums in the 21st century have all been strong, but this one tops them. Her writing collaborators here include Nick Cave, Anna Calvi, Ed Harcourt, Patrick Leonard, and Tom McRae.
Few stars of the '60s reinvented themselves as successfully as Marianne Faithfull. Coaxed into a singing career by Rolling Stones manager Andrew Loog Oldham in 1964, she had a big hit in both Britain and the U.S. with her debut single, the Jagger/Richards composition "As Tears Go By" (which prefaced the Stones' own version by a full year)…