Mark Knopfler Get Lucky

With the release of Get Lucky, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities…

A follow up to The Studio Albums 1996-2007 release in October 2021, is a second collection of Mark Knopfler studio albums, including Get Lucky (2009), Privateering (2012), Tracker (2015) and Down The Road Wherever(2018) plus a collection of studio b-sides and bonus tracks and two previously unreleased songs – ‘Back In The Day’ and ‘Precious Voice From Heaven’.  Audio has been overseen by original mastering engineer Bob Ludwig at Gateway Mastering. This is a mini-vinyl style 6CD collection in a clamshell-style box. Original studio albums housed in gatefold sleeves with folded printed lyric sheets. Bonus disc in single sleeve wallet with lyrics insert, plus 5 art cards.

The North American tour started on 8 April 2010 in Seattle, Washington, and included 28 concerts in 27 cities, ending on 9 May 2010 in Albany, New York. The European tour started on 9 September 2010 in London, UK, and included 60 concerts in 52 cities, ending on 31 July 2010 in Ávila, Spain.
The tour included a six-night run at the Royal Albert Hall in London.

Mark Knopfler: BBC Sessions 1988 - 2018. Very Rare and Limited 2019 EU CD Digipack.

The subtitle of Burning Your Playhouse Down makes plain that this compilation rounds up scraps from the Possum's vaults – unreleased cuts not from the '60s or '70s, but a more recent vintage, as this relies on recordings from the '90s and beyond…

Brandon Flowers' solo debut, 2010's Flamingo, seemed to make the case that the line between a Killers album and a Flowers album was blurry at best. Largely a continuation of the anthemic Springsteen-influenced sound of the Killers' 2006 effort Sam's Town, Flamingo also revealed Flowers' inclination toward glossy, synth-heavy, '80s adult-contemporary productions. For his sophomore solo outing, 2015's The Desired Effect, the line between the man and his band begins to sharpen. Produced by Ariel Rechtshaid (Madonna, Vampire Weekend, HAIM), the album finally finds Flowers achieving an unmistakable sound of his own, with the kind of effortless sophistication that a seasoned musician hopes for.