A stunning pairing of Mozart’s glorious ‘Gran Partita’ Serenade with a work written specifically to be performed alongside it, Geysir by the exceptional clarinettist-composer, Mark Simpson. Mark Simpson’s simmering, volcanic Geysir was inspired by the rich opening chord of Mozart’s ‘Gran Partita’, and by its bubbling clarinet writing, which develop into what Simpson describes as a “flurry of colour and harmonic shifts”.
A stunning pairing of Mozart’s glorious ‘Gran Partita’ Serenade with a work written specifically to be performed alongside it, Geysir by the exceptional clarinettist-composer, Mark Simpson. Mark Simpson’s simmering, volcanic Geysir was inspired by the rich opening chord of Mozart’s ‘Gran Partita’, and by its bubbling clarinet writing, which develop into what Simpson describes as a “flurry of colour and harmonic shifts”.
Semiramide, based on a play by Voltaire about an ancient Assyrian queen, was Rossini's last Italian opera. Some five hours long in performance, it has always been subject to cuts from producers worried that it was a butt-breaker, but Rossini insisted that it be performed as written. He was right: its massive two acts have a logic and flow that do not flag. Despite its size and difficulty (check the hefty list of sponsors and patrons in the booklet), the opera is being revived increasingly often. The work has been called the last Baroque opera, with its tragic plot from antiquity encrusted with glittering, highly ornamented arias, and you might suppose that a performance stands or falls with the singers. This version certainly offers strong ones, including the superb pair of sopranos Albina Shagimuratova in the title role and Daniela Barcellona in the travesti or cross-dressing role of the commander Arsace.
Five CD box set in DVD size metal tin with PVC jacket. Mark Wastell has been organising larger formations of musicians, collectively known as THE SEEN, for over 10 years. Using predominantly improvised material with occasional instructions or themes distributed to individual musicians just prior to performance. No formation has ever been repeated, THE SEEN never stays static. Each disc contains an entire concert given by THE SEEN spanning the years 2014 to 2016.
Hickox has a wonderful feel for this music…In short I would put Hickox at the top of the list… Seasoned collectors may well have the major Haydn masses well covered, but if you want the less-known early works, along with interesting fillers, all superbly done and neatly put in a single box, you’ll want this as well. There is splendid music here, full of vitality as only Haydn could express it.–American Record Guide