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Markus Stockhausen, Simon Stockhausen, Jo Thones: Aparis  Music

Posted by zerumuga at June 17, 2008
Markus Stockhausen, Simon Stockhausen, Jo Thones: Aparis

Markus Stockhausen, Simon Stockhausen, Jo Thones: Aparis
Jazz ¬ ECM 1404 | 1989 | FLAC ¬ 349 MB | MP3 320Kbps ¬ 158 MB | Time 58:25 | Covers

"The time has come that you shall remember who you are. For ever have you been and shall eternally be. You have come to feel the joy of creation, to see its beauty and infinitely love all there is. For all is thyself. Each moment you create yourself and a thousand worlds around. Your being is bliss, perfection and light. Rejoice, my friend, rejoice!" (Markus Stockhausen, CD APARIS, ECM 1989)
Aparis & Markus Stockhausen - Despite The Fire-Fighters' Efforts (1993) {ECM 1496}

Aparis & Markus Stockhausen - Despite The Fire-Fighters' Efforts (1993) {ECM 1496}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 346 Mb | MP3 @320 -> 161 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1993 ECM Records | ECM 1496
Jazz / Contemporary Jazz / Chamber Jazz

Three years after a self-titled debut, the trio known as Aparis set out for its second of two albums for ECM. Much of the sweep of the first can be found slithering throughout Despite the fire-fighters’ efforts…, only here trumpeter Markus Stockhausen’s lines swim eel-like in an even deeper ocean of electronics, courtesy of brother Simon (who also plays soprano sax). Drummer Jo Thönes is gorgeously present at key moments, as in the high-octane intensity that concludes the opening track, “Sunrice.” Before this we are surrounded by dawn-drenched ruins.
Markus Stockhausen, Miroslav Tadic, Mark Nauseef - Still Light  (1996)

Markus Stockhausen, Miroslav Tadic, Mark Nauseef - Still Light
Avant-Garde | 1996 | MP3 320Kbps¬114 MB | Time 45:14 | Cover

The debut on the MA label of German trumpet virtuoso, Markus Stockhausen, the oldest son of one of the most important composers of the 20th cent., Karlheinz Stockhausen. "Still Light" documents both freeform compositions and improvisations dedicated to the mysterious Paracelcus, a most famous alchemist (one who attempts to "make gold".) The music, with roots in both the 20th century avant garde and improvisation, features Markus' amazing and beautiful trumpet playing. Recorded at The Harmony Hall, Matsumoto, Japan in March 1993.
Oli Bott, Markus Stockhausen, Oliver Potratz & Eric Schaefer - Content-Blue (2023) [Official Digital Download]

Oli Bott, Markus Stockhausen, Oliver Potratz & Eric Schaefer - Content-Blue (2023)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 57:41 minutes | 644 MB
Contemporary Jazz, Modern Creative | Label: o-tone music, Official Digital Download

The path as a goal – The story of the recording “Content” by Roman Rhode. The seven tracks are snapshots. Oli Bott simply calls them “content”. In both senses of the word. For the recordings reflect both the quartet’s joy in playing and the content: compositions reduced to the essentials that offer an astonishing amount of room for interaction and improvisation. In them, Bott, a cross-genre musician, composer and arranger, conveys his own vision of jazz: as freedom for personal development. “Nothing was rehearsed, nothing counted on,” Bott says. “We had no idea how it would start and how it would end, when the theme would come, who would improvise when.”
Markus Stockhausen, Arild Andersen & Vangelis Katsoulis - Across Mountains (2022)

Markus Stockhausen, Arild Andersen & Vangelis Katsoulis - Across Mountains (2022)
EAC Rip | FLAC (tracks+log+.cue) - 205 Mb | MP3 CBR 320 kbps - 128 Mb | 00:55:53
Contemporary Jazz, Modern Creative | Label: O-Tone Music

Markus Stockhausen, Vangelis Katsoulis and Arild Andersen will release their new album ACROSS MOUNTAINS on February 4th, 2022 at o-tone music/Edel Kultur. German trumpeter Markus Stockhausen, Greek pianist Vangelis Katsoulis and Norwegian bassist Arild Andersen have known each other since 1996 when they met at a concert in Athens. ACROSS MOUNTAINS was founded in a time when traveling and concerts were impossible.
Markus Stockhausen, Arild Andersen & Vangelis Katsoulis - Across Mountains (2022) [Official Digital Download 24/48]

Markus Stockhausen, Arild Andersen & Vangelis Katsoulis - Across Mountains (2022)
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 55:18 minutes | 501 MB
Contemporary Jazz, Modern Creative | Label: O-Tone Music, Official Digital Download

Markus Stockhausen, Vangelis Katsoulis and Arild Andersen will release their new album ACROSS MOUNTAINS on February 4th, 2022 at o-tone music/Edel Kultur. German trumpeter Markus Stockhausen, Greek pianist Vangelis Katsoulis and Norwegian bassist Arild Andersen have known each other since 1996 when they met at a concert in Athens. ACROSS MOUNTAINS was founded in a time when traveling and concerts were impossible.
Markus Stockhausen & Gary Peacock - Cosi Lontano ... Quasi Dentro (1989) {ECM 1371}

Markus Stockhausen & Gary Peacock - Cosi Lontano … Quasi Dentro (1989) {ECM 1371}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 178 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 300 dpi (jpg) -> 5 Mb | 5% repair rar
© 1989 ECM Records | ECM 1371
Jazz / Modern Creative / Third Stream / Post Bop

Trumpeter Markus Stockhausen follows, not leads, this haunting improvisation session with Gary Peacock on bass, Fabrizio Ottaviucci on piano, and Zoro Babel on drums. The colors are as rich as the names on the roster, and work their way through eight improvisatory spaces with varying degrees of clarity. “So Far,” for instance, begins like fingers groping along the wall of a pitch-dark room, awakening after an undisclosed period of unconsciousness.
Markus Stockhausen & Zoro Babel - Beings (1987) {Fonit Cetra CDP2017 rel 1990}

Markus Stockhausen & Zoro Babel - Beings (1987) {Fonit Cetra CDP2017 rel 1990}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 162 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 600 dpi (jpg) -> 24 Mb | 5% repair rar
© 1986-87, 1990 Fonit Cetra | CDP 2017
Jazz / Modern Creative / Trumpet / Piano / Synthesizer

Markus Stockhausen (born May 2, 1957) is a German trumpeter and composer. His recordings and performances have typically alternated between jazz and chamber or opera music, the latter often in collaboration with his father, composer Karlheinz Stockhausen. Born in Cologne, he is the son of composer Karlheinz Stockhausen. At age four he appeared as "child at play" in his father's theatre piece Originale. He received his first piano lessons at age six, and at age twelve he began to play the trumpet. He attended the music secondary school in Cologne. Concerts and festival appearances, also for the Goethe Institute, have taken him around the world.
Oli Bott feat. Markus Stockhausen, Oliver Potratz & Eric Schaefer - Content-Blue (2023)

Oli Bott feat. Markus Stockhausen, Oliver Potratz & Eric Schaefer - Content-Blue (2023)
WEB FLAC (tracks) - 352 MB | MP3 CBR 320 kbps - 132 MB
57:38 | Jazz | Label: O-tone

The path as a goal - The story of the recording "Content" by Roman Rhode
The seven tracks are snapshots. Oli Bott simply calls them "content". In both senses of the word. For the recordings reflect both the quartet's joy of playing and the content: compositions reduced to the essentials that offer an astonishing amount of room for interaction and improvisation. In them, Bott, a cross-genre musician, composer and arranger, conveys his own vision of jazz: as freedom for personal development. "Nothing was rehearsed, nothing counted on," Bott says. "We had no idea how it would start and how it would end, when the theme would come, who would improvise and when."

Markus Stockhausen - Symbiosis (2008)  Music

Posted by zerumuga at July 26, 2009
 Markus Stockhausen - Symbiosis (2008)

Markus Stockhausen - Symbiosis
Jazz | 2008 | MP3 CBR 320Kbps => 134 MB | Time 56:18 | Covers

here creates his own, convincing language by juxtaposing idioms from jazz, classical and contemporary music and free improvisation, to form fresh new, lively organisms.Symbiosis, the Concerto for Trumpet and Clarinet, is characterised by electrifying rhythms, scintillating harmonies, vibrant strings and the soaring virtuosity of the two soloists. It was written “to create a major work for Tara Bouman and me in which we can play as equally important soloists, and combine our different sound colours and playing techniques.”