Marlowe (2023)

Tim McGraw releases his highly-anticipated new album "Standing Room Only".

Le livre qui a inspiré le film Marlowe, avec Liam Neeson et Diane Krüger dans les rôles principaux.

On Livin’ My Best Life (Still), Dylan Scott adds 10 tracks to his latest album. The deluxe edition features five fresh selections, including surprise viral hit “What He’ll Never Have,” and five formerly released favorites, including his rowdy collab with Dylan Marlowe, “Boys Back Home,” and his new radio single, “This Town’s Been Too Good To Us.” The massive 26-song set also showcases the LP’s original 16 cuts, which already boast three chart-topping hits: CMT Music Award-winning “Nobody,” blazing breakup anthem “New Truck” and romantic standout “Can’t Have Mine (Find You A Girl).”

British dance band is a genre of popular jazz and dance music that developed in British dance halls and hotel ballrooms during the 1920s and 1930s, often called a Golden Age of British music, prior to the Second World War.Thousands of miles away from the origins of jazz in the United States, British dance bands of this era typically played melodic, good-time music that had jazz and big band influences but also maintained a peculiarly British sense of rhythm and style which came from the music hall tradition. Often comedians of the day or music hall personalities would sing novelty recordings backed by well-known British dance band leaders. Some of the British dance band leaders and musicians went on to fame in the United States in the swing era.

This book examines the translations carried out by Italian novelist Beppe Fenoglio, one of the most important Italian writers of the twentieth century. It stems from the acknowledgement that Beppe Fenoglio’s translations have not been examined in the political, cultural and ideological context in which they were produced, but have been dismissed as a purely linguistic exercise. The author examines Fenoglio’s translations as culturally and ideologically informed artistic expressions, in which Fenoglio was able to give voice to his dissent towards the mainstream ideology and poetics of his times, often choosing authors and characters with whom he identified, such as Shakespeare, Milton and Marlowe. The interaction between the theories of Translation Studies, Literary Theory and Adaptation Studies foregrounds the centrality of the role of the translator, showing how Fenoglio’s ideology and poetics were clearly visible both in the selection of the texts he translated and in his translation strategies.