This 20-track compilation from Castle focuses on the colorful Scottish progressive rock outfit's lo-fi/R&B-infused late-'60s period. For a band that entered the public consciousness with a cover of the Beatles' "Ob-La-Di, Ob-La-Da," Marmalade did fairly well for themselves, scoring a hit with the infectious "I See the Rain," available in both the single and album versions here, as well as maintaining a career that crossed genres more than a few times. That said, Kaleidoscope: The Psych-Pop Sessions is just that, so anybody looking to delve further into the group's history, or are just looking for a copy of the aforementioned Beatles cover, would be better off with Sanctuary's two-disc Ultimate Collection.
Having documented the British psychedelic scene with anthologies devoted to the years 1967, 1968 and 1969, Grapefruit's ongoing series fearlessly confronts the dawn of the Seventies with a slight rebrand. New Moon's In The Sky: The British Progressive Pop Sounds Of 1970 features (appropriately enough) seventy tracks from the first year of the new decade as the British pop scene adjusted to life without The Beatles. The 3-CD set concentrates on the more song-based recordings to emanate from British studios during 1970, whether from a pure-pop-for-then-people perspective or the more concise, melodic end of the burgeoning progressive rock spectrum.
The Rubble Collection is mostly a collection 60s United Kingdom rock, psyche & garage rarities. From what I have read, the series got started in 1984 and continued up through at least 2002.
Compilation CD's. Those Classic Golden Years - An Essential collection the second half of the sixties and the early seventies…
Originally appearing on LP from the Bam Caruso label in the 1980s, and then on CD on the Past & Present imprint in 2003, these first ten volumes (boxed) in the Rubble Collection were conceived and collected by Phil Smee. For fans of the Nuggets series, both the two American volumes and the British Nuggets, you won't find a lot of overlap. The Nuggets comps were and are for people who want what was at least the stuff of legend, if not readily available. The collection here digs deep and are, for the most part, flawless in what they present. This set, and its companion volumes 11-20 (a separate box), are very different creatures. For starters, they dig a lot deeper into the hopelessly obscure 45s and tapes of Brit psychedelia, freakbeat, Mod, and pop.
Formed in London in 1980, the Legendary Pink Dots moved to Amsterdam in the middle of the decade. Members throughout the band's career have been Edward Ka-Spel (vocals, keyboards) and Phil Knight (keyboards), also known as the Silver Man, with a shifting supporting cast over the years. The Dots' music is by turns melodic pop and exotic psychedelia, with classical influences, sampling, and relentlessly dark, violent, apocalyptic lyrics…
Formed in London in 1980, the Legendary Pink Dots moved to Amsterdam in the middle of the decade. Members throughout the band's career have been Edward Ka-Spel (vocals, keyboards) and Phil Knight (keyboards), also known as the Silver Man, with a shifting supporting cast over the years. The Dots' music is by turns melodic pop and exotic psychedelia, with classical influences, sampling, and relentlessly dark, violent, apocalyptic lyrics…