London post-punk band The Monochrome Set's third album Eligible Bachelors re-issued, completed with a huge amount of bonus tracks and additional hard to find material. Contains the original album, the live album Fin (aka The Good Life), plus a number of lead singer and songwriters Bid's solo tracks.
Born in Great Barrington, Massachusetts on April 14 1924, Milton "Shorty" Rogers was an American jazz musician, and one of the principal creators of West Coast jazz. He played trumpet and flugelhorn and was in demand for his skills as an arranger. He worked first as a professional musician with Will Bradley and Red Norvo. From 1947 to 1949, he worked extensively with Woody Herman and in 1950 and 1951 he played with Stan Kenton. Shorty Rogers only produced a couple more albums during the later 1960s, working largely as a sideman during this time. In the seventies he was equally quiet, and while there were a couple of stray releases in the 1980s, the records featured on this four CD set pretty much present the finest music this maverick musician and composer ever made. A superb starting point for those new to the great man’s records, and a delightful reminder for those already familiar, a collection of this magnitude is wholly overdue and this set will surely become the go-to source for fans everywhere.
Born in Great Barrington, Massachusetts on April 14 1924, Milton "Shorty" Rogers was an American jazz musician, and one of the principal creators of West Coast jazz. He played trumpet and flugelhorn and was in demand for his skills as an arranger. He worked first as a professional musician with Will Bradley and Red Norvo. From 1947 to 1949, he worked extensively with Woody Herman and in 1950 and 1951 he played with Stan Kenton. Shorty Rogers only produced a couple more albums during the later 1960s, working largely as a sideman during this time. In the seventies he was equally quiet, and while there were a couple of stray releases in the 1980s, the records featured on this four CD set pretty much present the finest music this maverick musician and composer ever made. A superb starting point for those new to the great man’s records, and a delightful reminder for those already familiar, a collection of this magnitude is wholly overdue and this set will surely become the go-to source for fans everywhere.
Born in Great Barrington, Massachusetts on April 14 1924, Milton "Shorty" Rogers was an American jazz musician, and one of the principal creators of West Coast jazz. He played trumpet and flugelhorn and was in demand for his skills as an arranger. He worked first as a professional musician with Will Bradley and Red Norvo. From 1947 to 1949, he worked extensively with Woody Herman and in 1950 and 1951 he played with Stan Kenton. Shorty Rogers only produced a couple more albums during the later 1960s, working largely as a sideman during this time. In the seventies he was equally quiet, and while there were a couple of stray releases in the 1980s, the records featured on this four CD set pretty much present the finest music this maverick musician and composer ever made. A superb starting point for those new to the great man’s records, and a delightful reminder for those already familiar, a collection of this magnitude is wholly overdue and this set will surely become the go-to source for fans everywhere.
Features 24 bit remastering and comes with a mini-description. A standout set from Shorty – tightly arranged numbers performed by a quartet that includes Jimmy Giuffre, Pete Jolly, Curtis Counce, and Shelly Manne – all working with Shorty in perfect west coast form! Despite the length of the tunes, the overall feel is similar to Rogers' excellent Wherever The Five Winds Blow album for RCA – and makes the record a great set, done without any gimmicks or tricks – and enough of the modern touch still left from Rogers' first few years on record. Titles include "Martians Go Home", "Trickleydidlier", "Not Really The Blues", and "Michele's Meditation".
This LP has one of trumpeter Shorty Rogers' finest small group sessions of the 1950's. Rogers, Jimmy Giuffre (on clarinet, tenor and baritone), pianist Pete Jolly, bassist Curtis Counce and drummer Shelly Manne are the epitome of cool on a well-rounded and consistently interesting set. Highlights including "Isn't It Romantic," "Trickleydidlier," "Not Really The Blues" and Rogers' "hit" "Martians Go Home."
At the end of the 70s, The Monochrome Set were part of the first wave of "post punk" bands. Right from the beginning, the band earned a solid reputation as purveyors of fine pop, gaining praise from the 80s contemporaries such as Morrissey and Edwyn Collins. Importantly, in later years this praise has continues with artists such as Franz Ferdinand, The Divine Comedy and Graham Coxon, all citing the band as a key influence on their own work. The Monochrome Set sound has often been described as "timeless", and that alone explains why, over the years, the band has continues gaining admirers.