This two-CD, 43-track box set is the most comprehensive retrospective of Motown's biggest female star before Diana Ross. Although her first hit, "Bye Bye Baby," presented Wells as a blues belter, she quickly settled into a sly and sassy groove. Subsequent hits like "You Beat Me to the Punch," "Two Lovers," and "My Guy" (all included here) made the most of her shy, seductive voice by teaming her with some great songs and production by Smokey Robinson. Although many of these tunes were relegated to B-sides, album tracks, or even the can (11 were previously unreleased), the material written by Motown stalwarts like Berry Gordy, Holland-Dozier-Holland, and Mickey Stevenson when Smokey was unavailable is not far below the hits in quality.
The Complete Motown Singles has been a dream project of Motown and soul fanatics for many years, ever since the first decade of Stax/Volt singles was compiled in an impressive nine-disc box set in 1991. The Complete Motown Singles might have seemed like a logical move to soul collectors and fanatics, but it remained in the realm of fantasy for many years because, as enticing as that set was, it was difficult to create.
The Complete Motown Singles has been a dream project of Motown and soul fanatics for many years, ever since the first decade of Stax/Volt singles was compiled in an impressive nine-disc box set in 1991. Prior to that, no soul label had its output as thoroughly documented as that set – there had been the Atlantic R&B box, which collected highlights, but it never attempted to capture the label's entire run – and while The Complete Stax-Volt Singles 1959-1968 missed a B-side or two, it was an exceptional piece of music history, and pretty damn entertaining to boot.
In this series of four landmark CDs, RWA RECORDS celebrates two inventions from the late 19th century that changed human life and civilization forever: a) the ability to transmit our speech over long distances and b) the ability to preserve that speech on recordings. Those two inventions occurred at almost the same time in history, and just as soon as people began to make recordings of their voices, they began to write and record songs about telephones.