Masaaki Suzuki J.s. Bach: Organ Works

This seventh instalment of Masaaki Suzuki's critically acclaimed series of the complete organ works by Johann Sebastian Bach includes eleven pieces from a manuscript known as the Leipzig Chorales.

This seventh instalment of Masaaki Suzuki's critically acclaimed series of the complete organ works by Johann Sebastian Bach includes eleven pieces from a manuscript known as the Leipzig Chorales.

This sixth instalment of Masaaki Suzuki's critically acclaimed complete organ works by Johann Sebastian Bach presents the first eleven pieces from a manuscript since referred to as the Leipzig Chorales. Conceived around 1739, this collection is unusual in that it contains no new compositions, but rather 'reworkings' of organ chorales dating from the years 1708-17, when Bach was in Weimar.

This sixth instalment of Masaaki Suzuki's critically acclaimed complete organ works by Johann Sebastian Bach presents the first eleven pieces from a manuscript since referred to as the Leipzig Chorales. Conceived around 1739, this collection is unusual in that it contains no new compositions, but rather 'reworkings' of organ chorales dating from the years 1708-17, when Bach was in Weimar.

This seventh instalment of Masaaki Suzuki's critically acclaimed series of the complete organ works by Johann Sebastian Bach includes eleven pieces from a manuscript known as the Leipzig Chorales. Conceived around 1739, this collection contains no new compositions, but rather 'reworkings' of organ chorales dating from the years 1708-17, when Bach was in Weimar.The chorale arrangements are based on established Lutheran melodies that particularly appealed to Bach.

This seventh instalment of Masaaki Suzuki's critically acclaimed series of the complete organ works by Johann Sebastian Bach includes eleven pieces from a manuscript known as the Leipzig Chorales. Conceived around 1739, this collection contains no new compositions, but rather 'reworkings' of organ chorales dating from the years 1708-17, when Bach was in Weimar.The chorale arrangements are based on established Lutheran melodies that particularly appealed to Bach.

This sixth instalment of Masaaki Suzuki's critically acclaimed complete organ works by Johann Sebastian Bach presents the first eleven pieces from a manuscript since referred to as the Leipzig Chorales. Conceived around 1739, this collection is unusual in that it contains no new compositions, but rather 'reworkings' of organ chorales dating from the years 1708-17, when Bach was in Weimar.

This sixth instalment of Masaaki Suzuki's critically acclaimed complete organ works by Johann Sebastian Bach presents the first eleven pieces from a manuscript since referred to as the Leipzig Chorales. Conceived around 1739, this collection is unusual in that it contains no new compositions, but rather 'reworkings' of organ chorales dating from the years 1708-17, when Bach was in Weimar.

The fifth volume of Masaaki Suzuki’s series of Bach’s works for organ features one of the most important surviving instruments from Bach’s time, made by the German organ builder Christoph Treutmann the Elder. Widely known for its extraordinary tonal quality, the instrument was built between 1734 and 1737. A recent general restoration preserved all essential structural elements or renewed them while remaining faithful to the originals, making this an ideal instrument for Bach interpreters who wish to come close to the sound world of the Leipzig Thomaskantor.

The fifth volume of Masaaki Suzuki’s series of Bach’s works for organ features one of the most important surviving instruments from Bach’s time, made by the German organ builder Christoph Treutmann the Elder. Widely known for its extraordinary tonal quality, the instrument was built between 1734 and 1737. A recent general restoration preserved all essential structural elements or renewed them while remaining faithful to the originals, making this an ideal instrument for Bach interpreters who wish to come close to the sound world of the Leipzig Thomaskantor. Suzuki now takes up the Orgel-Büchlein (literally, “little organ book”), a collection of 45 short chorale preludes on melodies from the Lutheran hymn book, a project that came into being in connection with Bach’s appointment as organist and chamber musician at the Duke’s court in Weimar in 1708. Presenting chorales for different periods of the church year, this collection serves as a general guide to text-based composition focusing on word-sound relationships and content-specific musical expression. Three Preludes and Fugues complete the second volume dedicated to the Orgel-Büchlein, illustrating the principle of variety and structure historically practised by concert organists in order to demonstrate the tone colours and expressive possibilities of their instrument.