Three Blind Mice revitalized the Japanese jazz scene during the 1970s and 1980s. Its initial mission was to proactively produce albums of new musicians. Another goal was to expand its fan base, which was done by releasing albums of famous musicians. Through these efforts, TBM has greatly contributed to enriching the Japanese jazz scene. Tsuyoshi Yamamoto and Isao Suzuki were two of the leading figures who gained prominence by their works on TBM. Yamamoto quickly became a star in the Japanese jazz scene by releasing a series of excellent albums on the label.
Reissue with the latest DSD remastering. Comes with liner notes. After completing explore the entire Brazilian music in the sixties and to become the representative of the genus in Japan, Sadao has put aside Bossa Nova to enter in a new era with this iconic album which opens his African period. From return of East Africa when he visited Kenya, Sadao recruited new musicians featuring trombonist Hiroshi Fukumura and operates now the African musical culture mixing the rhythms to the free forms of experimental jazz. Each track can be seen as the theatrical representation of the African Culture. All tracks mixed by Kunihiko Sugano at Iino Hall.
"Tee" in Tee & Company is the nickname of Three Blind Mice's founder and producer Takeshi Fujii, who formed the all-star group of eight top Japanese jazz musicians in 1977 for a series of concerts and seven days of studio recording that produced three separate albums. This supergroup included who's who of the Japanese jazz scene: Kenji Mori and Takao Uematsu on saxophones, Masaru Imada on piano, Masayuki Takayanagi on guitar, Hideto Kanai on bass, Nobuyoshi Ino on electric bass, Hiroshi Murakami on drums and Yuji Imamura on percussion. Fujii and the musicians at the time were pursuing jazz as a new art form and not just as commercial entertainment. This is an important historic document of the energy that jazz had in Japan in the late 1970s!
Japan has produced some exceptionally talented jazz drummers and among them is Tatsuya Nakamura, who joins the BBE Music J Jazz Masterclass Series with his album ‘Locus’ from 1984, a session covering several bases, from heavy percussive samba to meditative avant-ambient. This is the album’s first ever reissue, although a track from ‘Locus’, ‘1⁄4 Samba’, was included on J Jazz vol. 3.
This just might be the single greatest side of OTT psych/noise guitar oblivion ever put to wax, a suitably enigmatic nada-information ultra-limited LP w/printed off-set covers featuring a shades-less Mizutani, an enigmatic insert with nothing but a colour ocean-front snap and two ludicrously extended, blown-out takes on primo material from the most legendary Japanese underground group of all time, Les Rallizes Denudes…
Takeshi Shibuya is a Japanese jazz pianist who also worked as a film composer. Takeshi Shibuya worked in the Tokyo jazz scene from the late 1960s a. a. with Nobuo Hara, with whom the first recordings were made in 1969/70. In the 1970s he played with Masayuki Takayanagi, Kunihiko Sugano and Shun Sakai, and he also arranged for the singer Ryoko Moriyama. In 1975 he made his debut album Dream, a live recording from Club Pannonica in Kagoshima with Tatsuhiro Matsumoto (bass) and Yoshitaka Uematsu or Sumiaki Matsushima (drums); 1977 followed the trio album Cook Note (Trio Records, with Tamio Kawabata, Shoichi Miyazawa), 1982 the solo album Shibyan !. From the 1980s he also accompanied the vocalists Maki Asakawa, Akira Sakata and Hideko Okiyama.