Doogie White is well known for his work with Ritchie Blackmore's Rainbow, Yngwie Malmsteen, Jon Lord (various live concerts), Cornerstone, Tank and Michael Schenker to name just a few whilst Paul McManus is the current drummer with GUN. GRANITE - the finest quality Scottish Hard Rock - so what could be a more appropriate title for an album by a fine Scottish Hard Rock band?
"A Momentary Lapse of Reason" is the thirteenth studio album by the English progressive rock band Pink Floyd, released in the UK and US in September 1987, on the labels EMI and Columbia. It followed guitarist David Gilmour's decision to include material recorded for his third solo album on a new Pink Floyd album with drummer Nick Mason and keyboardist Richard Wright. Although for legal reasons Wright could not be re-admitted to the band, Wright and Mason helped Gilmour craft what became the first Pink Floyd album since the December 1985 departure of bass guitarist, singer, and primary songwriter Roger Waters. The album reached #3 on both the U.S. and UK charts.
Slave owner Warren Maxwell insists that his son, Hammond, who is busy bedding the slaves he buys, marry a white woman and father him a son. While in New Orleans, he picks up a wife, Blanche, a "bed wench," Ellen, and a Mandingo slave, Mede, whom he trains to be a bare-knuckle fighting champion. Angered that Hammond is spending too much time with his slaves, Blanche beds down Mede.
Acid jazz, also known as club jazz, is a musical genre that combines elements of jazz, soul, funk and disco. Acid jazz originated in the London club scene of the mid-1980s in the rare groove movement and spread to the US, Japan, Eastern Europe and Brazil. Major acts included Brand New Heavies, Incognito, Us3 and Jamiroquai from the UK and A Tribe Called Quest, Buckshot LeFonque and Digable Planets from the US.
A definite departure from the type of earthy, groove-oriented soul-jazz he usually embraced, Leaving This Planet is perhaps Charles Earland's most ambitous album – not necessarily his best, but certainly his most surprising. Responding to the fusion revolution, Earland plays keyboards and various synthesizers in addition to his usual Hammond B-3 organ and thrives in a very electric setting. The album (reissued on a 79-minute CD in 1993) isn't fusion in the same sense as Miles Davis, Larry Coryell or Weather Report – rather, he incorporates funk and rock elements in a manner not unlike the early-'70s experiments of tenor saxophonist Joe Henderson and trumpeter Freddie Hubbard.