In February, 2014, Robert Maloschik decided to recreate "Devil's Masquerade" (1971), the only official album release of the legendary group Syrius, to be recorded and re-arranged and conceived for jazz by a band formed of five young Hungarian jazz musicans, the Syrius Legacy, who are the best and most demanded players on their respective instruments of their age. 18 months and 15 performances later, in early September 2015. their debut album, titled "The Devil's Masquerade Reloaded" was finished. The strong cohesion of the group derives from their admiration of the old Syrius themes, their respect for Mihaly Raduly and the constant support from Mr. Maloschik.
This is one of the beauties of the Japanese progressive rock. Initially published in 1986, "La Mosaïque De La Rêverie" is one of the most famous and successful albums of Nippon symphonic rock. This is a very personal work, that has become a symbol of the prolific Eighties Japanese Progressive rock school. Despite a certain Genesis touch which might be observed, it strikes a perfect balance between vocals, synthesizers and piano, flute and guitar. This classical rock is very lyrical, subtle and dynamic. "Abysmal Masquerade" (1987) is the second album reissued by the Musea label, now completed by alternative versions and bonus tracks. "The Pay For Dreamer's Sin" (1989) contains sumptuous and refined symphonic music which evokes Yes and Genesis.