These elements [i.e. a rather zany sense of homour and an oblique, Monk-like compositional sense, which often makes use of folk and popular elements in a highly original way] are in place again on Out Of The Tradition. Walrath opens "Out Of This World" with a strange North African scale and non-tempered sounds blown on a detached trumpet mouthpiece. There are hints of Coltrane's version in what follows, but they are used as stepping stones, not as a final destination. Walrath has located his playing outside the tradition and is constantly working towards points of departure. That is dramatized in Mingus's "So Long, Eric," on which Coryell and Green play a large part, and it comes across in the cod Bach of "Wake Up And Wash It Off," a pun too complicated to merit unpicking here. Walrath's now regular Pops feature comes on "Cabin In The Sky," one of his best recent performances, and he then drops back into gentler mode for "I'm Getting Sentimental Over You." It's done no harm to doff the cap-and-bells for a while; this is a terrific jazz album.
"Masters of Fog" is a lively and self-confident departure into a world of new adventures in sound. Berglund, Lindström, Hederos and Werliin are not only completely cognisant of their own capacities, they also know what they want.
Perseverance yields results - and sometimes produces things which just seem to get better and better… like Tonbruket (it means 'sound factory'). The four Swedes have been making music together for 10 years now, and in their sixth album "Masters of Fog", the band has done the musical equivalent of throwing a smoke grenade. Musical genres suddenly become indistinct and blurry. Tonbruket give themselves up to the imagination, to the senses, and to the intoxication of the moment. It really doesn't fit into any category - except that it is deeply enjoyable.
This CD presents sixty-five minutes of the best of current jazz. Thoughtful moments sit alongside pure joy and entertainment. Coruscating energy is there, but serene contemplation too. With established ACT stars and promising newcomers, this is music for open ears, for the mind and soul. And for everyone who loves good music.
Magic Moments 9, packed with all kinds of excitement and emotion, not only captures an up-to-the-minute snapshot of European jazz in the many different forms it exists today, but also offers a glimpse into its future.
In this magnificent collection presented melodies performed by these masters of jazz piano: Scott Joplin, James P. Johnson, Eubie Blake, Mandy Randolph, Duke Ellington, Art Tatum, Joe Sullivan, Teddy Wilson, Count Basie, Oscar Peterson, Thelonious Monk, Nat King Cole and many, many others …
20 Original albums on 10 CDs! King Curtis, Illinois Jacquet, Gene Ammons, Shirley Scott, Eddie "Lockjaw" Davis, Roland Kirk and more!
The tenor sax was to Rhythm & Blues-hits of the 40s and 50s, what the guitar went on to become to RocknRoll. Put on an R&B-single from that era and you will most likely hear a tenor sax break or solo. Eventually, the tenor players stepped out to make records under their own name. These Soul Tenors were expressing themselves by honkin, shoutin, riffin, riding high on a single note or barking out a guttural howl, as Ted Gioia described it in The History of Jazz, all the while, carrying the moan in their tone, according to Cannonball Adderley…
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.