Match Fishing From April 2016

Total Sea Fishing - April 2016  Magazines

Posted by Pulitzer at Aug. 25, 2018
Total Sea Fishing - April 2016

Total Sea Fishing - April 2016
English | 100 pages | True PDF | 35.5 MB

Jean-Michel Jarre - Hong Kong (1994) (Re-up)  Music

Posted by gribovar at Aug. 13, 2022
Jean-Michel Jarre - Hong Kong (1994) (Re-up)

Jean-Michel Jarre - Hong Kong (1994)
EAC Rip | FLAC (tracks+.cue+log) - 567 MB | MP3 CBR 320 kbps (LAME 3.93) - 200 MB | Covers - 116 MB
Genre: Traditional Electronic, Progressive Electronic | RAR 3% Rec. | Label: Disques Dreyfus (FDM 36154-2)

Hong Kong is a live album by Jean-Michel Jarre released in 1994 on Disques Dreyfus. Even though the album is called Hong Kong and has pictures of the event on its booklet, most of the tracks are from the Europe in Concert venues, except for "Souvenir of China" which is a special mix consisting of the Paris la Defense version and the actual track played in Hong Kong. Also, "Fishing Junks at Sunset" was recorded from the Hong Kong concert rehearsals. Magnetic Fields 2 comes from the encore at Barcelona 1993, which appears on the VHS tape released of this concert. Band In The Rain is also from the Barcelona show.

Peter Gabriel - Security (1982) {1984, Target CD}  Music

Posted by popsakov at Aug. 27, 2023
Peter Gabriel - Security (1982) {1984, Target CD}

Peter Gabriel - Security (1982) {1984, Target CD}
EAC Rip | FLAC (Img) + Cue + Log ~ 246 Mb | MP3 CBR320 ~ 123 Mb
Full Scans | 00:45:46 | RAR 5% Recovery
Art Rock, Progressive Rock | Geffen Records #2011-2 / 800091-2

Security (IV) – which was titled Peter Gabriel everywhere outside of the U.S. – continues where the third Gabriel album left off, sharing some of the same dense production and sense of cohesion, yet lightening the atmosphere and expanding the sonic palette somewhat. The gloom that permeates the third album has been alleviated and while this is still decidedly somber and serious music, it has a brighter feel, partially derived from Gabriel's dabbling in African and Latin rhythms. These are generally used as tonal coloring, enhancing the synthesizers that form the basic musical bed of the record, since much of this is mood music (for want of a better word).