Max Richter Vivaldi: Recomposed

A decade on from the release of his mesmerising Recomposed album, trailblazing composer Max Richter returns to the sound world of Vivaldi’s Four Seasons. Recorded with violinist Elena Urioste and the musicians of Chineke! Orchestra, The New Four Seasons sees Richter create a new version of his Recomposed score for period instruments – using gut strings and vintage synthesisers to create a “grittier, more punk rock sound”.

2 CD product curated by Max - 1 CD of original compositions from Max’s catalogue of successful solo albums, and a second CD comprised of music and movie themes and soundtracks.

When Max Richter’s Recomposed first exploded into our collective ears almost a decade ago, a 59-minutes-28-seconds sonic starburst, the effect for so many people was total. We hadn’t heard anything like that, ever. Experiencing it felt as though we were being catapulted onto another plane, reverberated through the cosmos by this epiphanic soundworld. In this “alternative rendering”, Chineke!, the groundbreaking British ensemble consisting of majority Black, Asian and ethnically diverse musicians, and the brilliant soloist, Elena Urioste, are playing on gut strings and period instruments: the sort that Vivaldi would have heard, and played, in his own time.

Stillness and repose lie at the epicenter of the latest of violinist Angèle Dubeau’s series of “Portrait” recordings, a celebration of that master of atmosphere, Max Richter. Richter, whose credits include the soundtracks to Waltz with Bashir and Shutter Island, writes postminimalist music—richly scored, with gently undulating rhythms, beautiful, shifting modal harmonies, and subtle electronic effects. There’s often an elegant simplicity to Richter’s music, as in the cyclical “Autumn Music 2,” but there are thrilling moments, too, as pulsating electronic drums emerge from the darkness in “The Journey, Not the Destination.”

Daniel Rowland is a charismatic and adventurous violinist, director and chamber musician. With irrepressible energy, he musically intoxicates the musicians he plays with and those who listen to his performances and recordings. The members of his Stift Festival Orchestra mirror that energy and make this brilliant piece of Max Richter sound as cool, passionate, rough and intimate as it can be.