« Paul and I initiated in Myths and the Concerto a new style, a new way of playing the violin. » Without Paul Kochanski, one of the greatest violinists of his time, Karol Szymanowski (1882-1937) would he have written for the instrument, daring these escapes in the high-pitched, these well-known sound effects but which he was the first to use for expressive purposes and integrates in a form as free as it is rigorous? His “impressionism” would then have been limited to the orchestra and the piano, depriving us of these “three poems” (1915) and of this Concerto (1916) which, breaking with traditional virtuosity, is no less a poem - "Symphonic work with solo violin, which has the effect of a concerto". Two incandescent works, Dionysiac or opalescent, of a heady sensuality, inspired by ancient myths and, undoubtedly, by The Night of May, pantheist poem of Tadeusz Micinski where "ignites the fire of love". As war sets Europe ablaze, reclusive in his native Ukrainian mansion, Szymanowski relives his Mediterranean dazzles and remembers all that Diaghilev's musicians revealed to him.
Never before have all Arthur Rubinstein albums been available together like this. Arthur Rubinstein – The Complete Album Collection features all of the legendary pianist’s issued recordings made by RCA Victor between 1940 and 1976, plus one recording issued on the DECCA label in 1978. Also included in this set are the recordings Rubinstein made in England for the His Master’s Voice (HMV) label between 1928 and 1940. As a bonus, this special package also has the sensational world-premiere release of two Carnegie Hall concerts recorded on December 8 and 10, 1961.
What release is this that can command such a gaudy price? Well, take another look: that's for 142 (!) CDs, which is what's necessary to compile-for the first time- every Arthur Rubinstein album ever released! One of the great poets of the piano, Rubinstein is heard here on every RCA Victor album he made from 1940-76, and also on one Decca album from 1978. Lastly, you'll hear the fine recordings he made in England for HMV between 1928 and 1940 plus the world-premiere release of two Carnegie Hall concerts from December 8 and 10, 1961 (featuring works by Debussy and Chopin). On the bonus DVDs: Rubinstein Remembered , a documentary chronicling his life, and The Benefit Recital for Israel from 1975. In the 164-page full-color hardcover book: a wealth of essays and photos plus complete discography, track listings and discographical notes. And on those 142 CDs?: Rubinstein's vast array of studio and live recordings of solo, concert and chamber-music pieces, with all albums presented in their best remasterings (using SACD and XRCD mastering sources). A dream come true for classical lovers, and a dream that will soothe your musical soul for a very, very long time!
What release is this that can command such a gaudy price? Well, take another look: that's for 142 (!) CDs, which is what's necessary to compile-for the first time- every Arthur Rubinstein album ever released! One of the great poets of the piano, Rubinstein is heard here on every RCA Victor album he made from 1940-76, and also on one Decca album from 1978. Lastly, you'll hear the fine recordings he made in England for HMV between 1928 and 1940 plus the world-premiere release of two Carnegie Hall concerts from December 8 and 10, 1961 (featuring works by Debussy and Chopin).
A classic collection of 11 CDs that compiles every recording that the late Arthur Rubinstein released on the RCA label from 1946-1967! Many aficionados consider these definitive performances of Chopin repertoire, produced by the legendary Grammy award winner Max Wilcox and presented in both monaural and stereo recordings.