Me Before You Still me

Journeyman is the eleventh studio album by blues/rock musician Eric Clapton, released in 1989. The album was heralded as a return to form for Clapton, who had struggled with alcohol addiction in the mid-1980s and had recently found sobriety. Much of it has an electronic sound, mostly influenced by the 1980s rock scene, but it also includes blues songs like "Before You Accuse Me," "Running on Faith," and "Hard Times." While the album was only a moderate commercial success at the time, reaching number 16 on the Billboard 200 chart, it went on to become his first solo studio album to go double platinum. This is one of Eric Clapton's favourite albums.

Before the Dawn is the second live album by English singer-songwriter Kate Bush, credited to The KT Fellowship. The album was released on 25 November 2016 by Bush's label Fish People, and is distributed in the United States by Concord Records. It was recorded during Bush's 22-date residency, Before the Dawn, at the Hammersmith Apollo in London, which saw her return to the stage following a 35-year absence. As with the residency, the album is split into three parts, comprising seven miscellaneous songs, the complete Ninth Wave suite from Hounds of Love, and A Sky of Honey from Bush's 2005 release Aerial. The album also contains the song "Tawny Moon", performed by Bush's son, Albert McIntosh. Presented in the same order as the original show, the album's performances are culled from various shows throughout the residency. The album also contains the track "Never Be Mine", which is performed live but did not feature on the Before the Dawn residency.

Even now, as he reaches his eighth decade, with a lifetime of accolades and a seminal body of music behind him, Robin Trower is still chasing the biggest high he knows.

Even now, as he reaches his eighth decade, with a lifetime of accolades and a seminal body of music behind him, Robin Trower is still chasing the biggest high he knows. It always starts the same way, with a road-scuffed Fender Stratocaster and a revved-up Marshall amplifier, those skilful fingers exploring the fretboard until a riff sticks and a new song ignites. And from the cultural flashpoint of Sixties London with Procol Harum, through 1974's stadiumfilling Bridge Of Sighs, right up to this year's acclaimed Come And Find Me, it's these addictive moments of creation that have kept the guitarist vital, relevant and contemporary while his peers trade on past glories. "Some people say I'm driven, but I think it's just the love of doing it," reflects Trower of a multi-million-selling solo catalogue fast approaching thirty releases (and that's before you compute his collaborations with everyone from Jack Bruce to Bryan Ferry). "I play guitar every day and just through messing around, ideas happen. I can never feel the songs coming. But all of a sudden, you get a sliver of an idea and you think, 'Oh, what's this?'"

The late Lowell Fulson had passed his peak when he recorded this album in London in 1984. After all, his classic sides had come in the '50s and '60s. But even a good 20 years later he could still cut it, as this disc shows all too clearly. Ably supported by Eddie C. Campbell on second guitar and John Altman on saxes, in addition to the excellent John Dummer on drums, Fulson showed that if he'd lost a step through age, he's gained two with experience.

Like Love You Live before it, Still Life showcases the Stones as pure entertainers, although the band adds enough rhythmic grit to keep the record from sinking into pure showbiz formula.