At The Golden Circle Stockholm Vol. 1 (1965). Ornette Coleman's 1965 trio with bassist David Izenzon and drummer Charles Moffett is easily the most underrated of all his bands. Coming off the light of the famed quartet in which Don Cherry, Eddie Blackwell, and Charlie Haden shone, anything might have looked a bit dimmer, it's true. But this band certainly had no apologies to make. Coleman was deep into creating a new approach to melody, since Haden and Cherry had honed his harmonic sensibilities. Izenzon proved to be the right bassist for Coleman to realize his ambitions. A stunning arco as well as pizzicato player (check his solo in "Dawn") Izenzon offered Coleman the perfect foil. No matter where Coleman's soloing moved the band, Izenzon was there at exactly the same time with an uncanny sense of counterpoint, and he often changed the harmonic mode by force…
Louisiana slide master Sonny Landreth takes his time between releases – his last studio disc of original material was five years prior to this – but when they arrive, the wait seems justified. For the debut album on his own Landfall records, Landreth calls in marquee name guitarists Eric Clapton, Mark Knopfler, Robben Ford, Eric Johnson, and Vince Gill to bolster the visibility factor. Rather than focusing on guitar duals, Landreth wrote songs that incorporate their styles, and occasional vocals, organically into the material. There are plenty of stunning solos of course, but they are integrated into the tunes that stand up just fine without the six-string fireworks. The album's title is a double entendre as "reach" is a body of water and also describes Landreth inviting his guests to be part of the project.
Jakarta International Java Jazz Festival is one of the most prestigious jazz festivals in the world. It was held for the fifth time in 2009 and was participated by more than 1,000 artists involved in 200 programs and attracted more than 80,000 visitors during its three-day stretch (March 6, 7, 8).