Memorial Clifford Brown

Clifford Brown - Memorial Album (1956) [Reissue 2001]  Music

Posted by gribovar at March 1, 2019
Clifford Brown - Memorial Album (1956) [Reissue 2001]

Clifford Brown - Memorial Album (1956) [Reissue 2001]
EAC Rip | APE (image+.cue+log) - 250 MB | Covers (14 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Blue Note (7243 5 32141 2 8)

Like swing guitarist Charlie Christian, Clifford Brown was incredibly influential for someone who died so young. The Fats Navarro-minded trumpeter was only 25 when a car accident claimed his life in 1956, but his influence remained long after his death - Freddie Hubbard, Lee Morgan, Woody Shaw, Donald Byrd, and Carmell Jones were among the many trumpet titans who were heavily influenced by Brown. In the early to mid-'50s, Brown kept getting more and more exciting; those who found him impressive in 1952 found even more reason to be impressed in 1955. That means that when it comes to Brown's dates, excellent doesn't necessarily mean essential…

Clifford Brown - At The Cotton Club 1956 [3CD Box Set] (2011)  Music

Posted by gribovar at Aug. 17, 2021
Clifford Brown - At The Cotton Club 1956 [3CD Box Set] (2011)

Clifford Brown - At The Cotton Club 1956 [3CD Box Set] (2011)
EAC Rip | FLAC (tracks+.cue+log) - 502 MB | MP3 CBR 320 kbps (LAME 3.93) - 442 MB | Covers - 10 MB
Genre: Jazz, Hard Bop | RAR 3% Rec. | Label: RLR Records (RLR 88624)

"I play the trumpet, my name is Clifford Brown." With these simple and unpretentious words, Brownie introduced himself to the audience of the Cotton Club in Cleveland, Ohio, on May 28, 1956. And indeed he played the trumpet, with a fire and excellence that has earned him renown worldwide. May 28 was the opening night of a week-long engagement for the Max Roach-Clifford Brown Quintet, featuring Sonny Rollins on tenor sax, Richie Powell (Bud Powell's younger brother) on piano, and George Morrow on bass. Despite the exceptional talent of the individual band members, the quintet proved to be more than the sum of its parts. The Cleveland Cotton Club performances contained on this package were recorded on amateur equipment and include sets played by the quintet on May 28, May 29 and June 1, 1956. As a bonus to these amazing performances, we present another previously unissued set: a radio broadcast by the same quintet…

Clifford Brown - Clifford Brown with Strings (1955) [Reissue 1998]  Music

Posted by gribovar at Sept. 30, 2021
Clifford Brown - Clifford Brown with Strings (1955) [Reissue 1998]

Clifford Brown - Clifford Brown with Strings (1955) [Reissue 1998]
EAC Rip | APE (image+.cue+log) - 116 MB | MP3 CBR 320 kbps (LAME 3.93) - 95 MB | Covers - 7 MB
Genre: Jazz, Bop | RAR 3% Rec. | Label: Verve (558 078-2)

There are two schools of thought regarding this Clifford Brown with strings session. Brownie plays quite beautifully and shows off his warm tone on such numbers as "Portrait of Jenny," "Memories of You," "Embraceable You" and "Stardust." But on the other hand the string arrangements by Neal Hefti border on muzak and Brown never really departs from the melody. So the trumpeter's tone is the only reason to acquire this disc which to this listener is a slight disappointment, not living up to its potential.

Sarah Vaughan - Récital à Paris, 1985 (2015)  Music

Posted by aasana at May 5, 2019
Sarah Vaughan - Récital à Paris, 1985 (2015)

Sarah Vaughan - Récital à Paris, 1985 (2015)
Jazz | 01:31:26 | WEB FLAC (tracks) | 515 MB
Label: INA Mémoire vive

This 2003 release of Vaughan's December, 1954, album (previously released in 1991 as "Sarah Vaughan with Clifford Brown") is one of her most brilliant collaborations and a fine memorial to the work of Brown, who died eighteen months later at age twenty-six. With Brown on trumpet, Paul Quinichette on tenor sax, Jimmy Jones on piano, Roy Haynes on drums, and Herbie Mann on jazz flute, the album is a sophisticated partnership among musicians, all of whom are thinking of the whole sound and the whole effect, rather than their own star turns. The mood varies from light to poignantly tender, the tempo is usually slow, and the volume is kept low, highlighting the creativity of each performer's variations while remaining true to the songs and their meanings.