At the Crossroads, saxophonist James Carter's third disc for the Emarcy, is the first for the label with his Organ Trio, which has been together since 2004. Produced by Michael Cuscuna, it's an indelible portrait of Detroit's historic jazz scene, envisioned in the present while looking ahead. All trio members – Carter, organist Gerard Gibbs, and drummer Leonard King, Jr. – either reside or come from there. This disc also showcases Carter's development from his earliest days shedding in the Motor City to his current status as a jazz virtuoso.
Everything you need to kickstart a vintage-style Christmas party is all here in one place! You supply the food, friends and mistletoe, and let PMJ take care of the rest! It’s a 12-track album that combines a few of Scott’s favorite things: holiday music, vintage piano styles, and terrible puns!
Following up his 2000 tribute to guitarist Django Reinhardt, Chasin' the Gypsy, saxophonist James Carter pays homage to iconic jazz singer Billie Holiday on Gardenias for Lady Day. Perhaps never before has the jazz iconoclast balanced so perfectly his "big top" avant-garde leanings with his more pinstriped traditionalist aesthetic. This is a beautiful album that revels as much in classic melody as it does in Carter's most torrid saxophone "skronk." Although the album largely succeeds on Carter's virtuosic performance, it gains most of its character from the deft and unpredictable orchestral arrangements of Greg Cohen and fellow Detroiter Cassius Richmond. In particular, Richmond brings a cinematic quality to the album with his treatments of "Sunset," "I Wonder Where Our Love Is Gone," and "Gloria" that breathe and swell, rubbing dramatically against Carter's muscular sound…