Michel Colombier Michel

"Time & Love" is an album by American vocalists Jackie Cain and Roy Kral featuring performances recorded in 1972 and released on the CTI label. The AllMusic review states "Although neither Jackie nor Roy do anything resembling jazz singing here, forget about categories; this is gorgeous music that cannot be shackled to a label".

La véritable grande escroquerie du rock and roll , c’est pas du côté des Pistols, enfin de Mac Laren et son film « The Great Rock and Roll Swindle » que vous la trouverez… c’est plutôt en Belgique qu’il faut la chercher, plus précisément chez Lou Deprijck et Yvan Lacomblez, deux bruxellois pur jus. Si leurs noms, là, tout de suite, ne vous disent rien, en revanche, il y a de fortes chances que vous vous soyez déjà trémoussés sur le hit interplanétaire dont ils sont les heureux (et depuis fortunés…) créateurs : “Ca plane pour moi”!

With the backing of a large orchestra, lush even by arranger Don Sebesky's standards, Jackie and Roy front an exquisitely recorded Creed Taylor production that mostly falls outside the idiom of jazz into a polished, jazzy, classical/easy listening plane. More to the point, the collective taste of Taylor and the Krals is incredibly rich, for they tap into a small mother lode of scintillating contemporary material that jazz people rarely touched…

The Steve Kuhn Trio - Looking Back (1991) is a standout album by American jazz pianist Steve Kuhn and his trio. Known for his work as both a solo artist and collaborator, Kuhn’s music is often characterized by its lyricism, subtlety, and a blend of influences ranging from traditional jazz to more modern, nuanced approaches.

Posse is the 1993 soundtrack CD to the movie directed by and starring Mario Van Peebles. The soundtrack featured a mixture of current R&B and soul artists plus some hip-hop, all exclusive to the disc. It also includes a song from actress Salli Richardson, who also starred in the film.

Posse is the 1993 soundtrack CD to the movie directed by and starring Mario Van Peebles. The soundtrack featured a mixture of current R&B and soul artists plus some hip-hop, all exclusive to the disc. It also includes a song from actress Salli Richardson, who also starred in the film.

During 1985, White released a solo album entitled "Maurice White". The album rose to #12 on the Billboard Top Soul Albums chart. Appearing upon the LP was a cover of Ben E. King's "Stand by Me", with a guest appearance by jazz saxophonist Gerald Albright. White's version of "Stand by Me" got to #6 on the Billboard Hot Soul Singles and #11 on the Billboard Adult Contemporary Songs chart. Another song from the album called "I Need You" rose to #20 on the Billboard Adult Contemporary Songs chart and #30 on the Billboard Hot Soul Singles chart.

Alfio Origlio jazz pianist living between Paris and Grenoble was born in Gap on April 16, 1967.
This musician, recognized by his peers as one of the best jazz pianists on the French scene, is above all guided, in all his projects, by passion. He collaborates with the greatest artists and musicians of the French and international scene: Salif Keïta, Manu Katché, Stacey Kent, Michel Jonasz, Gregory Porter, Didier Lockwood, Stéphane Eicher, Ernie Watts, Michel Colombier, Henry Salvador, Bobby Mc Ferrin, Michel Legrand, Keziah Jones, Me'shell Ndegeocello, Daniel Mille, Chris Potter, Erik Truffaz, Daniel Humair, Juan Carmona .

Music Box Records is very proud to announce the release of L’Incorrigible / The Incorrigible (1975), directed by Philippe de Broca (a long-time collaboration over 30 years) and Va voir maman, papa travaille / Your turn, my turn (1978) directed by François Leterrier. These two soundtracks are available for the first time on CD in expanded editions with a new sequencing and a new sound mixing. The scores written for the movies of Philippe de Broca, whose qualities were long unknown to cinema enthusiasts and even to amateurs of the music of Georges Delerue, always oscillate between irony and tenderness. The score of L'Incorrigible is light, always ironic, never redundant with the image. The music for small orchestra takes tones sometimes of a detective movie, sometimes Andalusian, sometimes bucolic. A piano version of the love theme Tendre Marie-Charlotte played by Georges Delerue is included in this release. The music of Va voir maman, papa travaille (directed by François Leterrier) contains a romantic “modal color” characteristic of the work of Georges Delerue during the same period. This score is enhanced with several “pop-rock” pieces which sends back to what Georges Garvarentz, Michel Magne, Michel Colombier or François de Roubaix would produce at the same period. For Va voir maman, papa travaille, the CD offers a complete 30-minute score.