Some unusual tracks; a blend of music and dialogue in parts. Hearing miles talking is cool though, not to everybody's taste. There is still some good Miles trumpet playing here. I think a worthy edition for a serious Miles Davis collector.
Ambroise Thomas wrote this comic opera, which has little to do with A Midsummer Night's Dream; it includes Falstaff, Elizabeth I and Shakespeare all in a strange literary interaction. Thomas fused many of the operatic styles of his day in a skillfully written score. The piece was revived at Compiègne in 1994 to mark the opening of the Channel Tunnel. Noted director and producer Pierre Jourdan has been staging opera since 1968. In 1988, he founded the Théâtre Français de la Musique and the association Pour le Théâtre Impérial in the Théâtre Impérial de Compiègne. Every year, he directs and produces different lyric works with the mission to rediscover the French musical and lyrical repertoire from the post-baroque to today and to restore an authentic French style to the singers and the orchestras which accompany them. These productions have been triumphantly welcomed by the public and critics alike.
With Shakespearian operas all the rage in Paris during the 19th century, Ambroise Thomas and his librettists Michel Carre and Jules Barbier adapted Hamlet to create a romantic spectacle in which the character of Ophelie shines with a haunting radiance. With its virtuosic arias, stunning ensembles and vivid orchestration with the colourful addition of the newly invented saxophone Thomas composed one of the most successful operas in the French repertoire. This is further enhanced by director Cyril Teste s multi-layered production, reinstating its powerful original ending, and including cinematic techniques to create a very palpable hit (bachtrack.com).