Miguel de Molina

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De Concha Piquer a Rosalía, un libro fascinante que reivindica el diálogo con nuestros mayores, las mujeres pioneras de nuestra cultura popular, la memoria y el amor por la tierra y por las cosas nuestras.

Flamenco is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, the term is used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage.

Publicación que adoptaba como título un adjetivo que durante el primer tercio de siglo iba a determinar una literatura menor y forma de entender la vida entre lo erótico y lo picaresco, además de lo libidinoso y hasta pornográfico, y que fue fuertemente criticada por la publicística ultracatólica.

Spanish group Medina Azahara was formed in 1979 by singer Manuel Martinez, guitarist Miguel Galan, drummer José Antonio Molina, bassist Manuel Molina, and keyboardist Pablo Rabadan. That same year, the band signed with CBS, issuing a self-titled album produced by Gonzalo Garcia Pelayo that featured their first hit, a song called "Paseando por la Mezquita." That album was followed by 1980's La Esquina del Viento and 1982's Andalucia. Around that time, the band started being mentioned as one of the major parts of a local movement known as Rock Andaluz. Before issuing 1995's Caravana Espanola, Pablo Rabadan left the act, replaced by keyboardist Antonio Fernandez.

Diego Maroto was born in Mexico City on May 9th of 1968. In 1985 he started to take private lessons to play the saxophone from teachers Larry Roussell and Alfonso Martínez. From 1987 to 1988 he studied art history at the Universidad Iberoamericana. In 1988 he joined the jazz worksop at the Escuela Superior de Música (INBA), where he was taught improvisation, arrangement and composition by Francisco Tellez. Then continued with private lessons from Danny Matusack (New England Conservatory of Music, Boston, Mass.) and from Darryl Winsman (A well known sax player from thecalifornia scene).