Miles Davis

A rarely seen filmed performance by the splendid Miles Davis septet, recorded live in Warsaw in 1983 - with saxophonist Bill Evans and guitarist John Scofield. This fabulous, complete concert was filmed shortly after Miles Davis recorded his celebrated album 'Star People' - and features many of the compositions from the album, although it hadn`t actually yet been released when they performed in Poland. Bill Evans (the sax player) had been replaced by Branford Marsalis on the original studio versions of 'That`s Right' and 'Code M.D.'

Miles Davis - 1986-1991, The Warner Years (2011) {5CD Set Warner–Rhino 5249878472}
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© 1986-91, 2011 Warner Music France / Rhino | 5249878472
Jazz / Fusion / Jazz Rock / Trumpet

Five CD collection from the Jazz great. In 1985, Miles Davis shocked the music world by moving from Columbia to Warner Brothers. He immediately started working on an album called Perfect Way after a tune by Scritti Politti, later renamed Tutu. When Tutu was released in 1986, it re-ignited Miles Davis' career, crossing over into the Rock and Pop markets and winning Davis two Grammy Awards - the album was a key factor in raising Davis' status to an international superstar. This box set includes the Warner Bros studio albums Tutu, Amandla and Doo-Bop, the Dingo and Siesta soundtracks and live recordings with Quincy Jones and the likes of Kenny Garrett, Foley and Adam Holzman. The set also includes four previously unreleased tracks, from the Rubberband Sessions. The liner notes were provided by leading Jazz critic Ashley Kahn.

Miles Davis - Miles At The Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3 (2014) {4CD Set Columbia-Sony Music}
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© 1970, 2014 Columbia / Legacy / Sony Music | 88765433812
Jazz / Jazz Funk / Fusion / Trumpet

Until now, the official recordings of Miles Davis' performances at the Fillmore East between June 17 and 20, 1970 have been limited to the double album Miles at the Fillmore. That set's producer Teo Macero, edited the recordings to create medleys of each night's music to four roughly 20-minute selections. This four-disc set contains all four concerts. There are 100 minutes of previously unreleased music from Wednesday through Saturday; an additional 35 minutes of unreleased music comes from a previous gig at the Fillmore West.

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 5of6)
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© 2006 Sony Music Japan / Columbia | SICP 1222~29 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, "Right Off," the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes.

Deluxe 71 disc box set that contains 52 single CD and double CD albums (which includes the previously unreleased full-length audio version of his 1970 Isle Of Wight performance). The essay is complemented by brief annotations written by Franck Bergerot, covering every single one of the 52 albums. The cornerstones of the box set are the studio and live albums that were released during his tenure at the label, more than 40 titles that he recorded in the 1950s, '60s, '70s and '80s.

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 4of6)
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© 2006 Sony Music Japan / Columbia | SICP 1216~21 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Fusion / Trumpet

With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as "Orbits" comes crashing out the gate, but it's not just the fast, manic material that has an edge – slower, quieter numbers are mercurial, not just in how they shift melodies and chords, but how the voicing and phrasing never settles into a comfortable groove. This is music that demands attention, never taking predictable paths or easy choices.