Ruth (Jean Seberg) lives with her stepdaughter Chris (Marisol) in an isolated mansion in the countryside. Both of them wait for the same man. He was Ruth's husband and the father of Chris. One day, without warning, he left everything. They don't know where he's at. But Ruth and Chris have different feelings about him. Ruth wants to get even with him for what he has done to her, and for doing this she can use Chris, his daughter. Maybe she can corrupt her. But corruption is a vague word, what does it really mean? And Chris waits for her father as if he were the last hope left for her. A traumatic experience she had, has left its mark on her. Maybe her father is the only good thing left in the world…
The biography of the Bandleader Glenn Miller from his beginnings to his death over the English Channel in December 1944, with a lot of his arangements, partly in an authentic cast.
Joel and Ethan Coen's third collaboration, the gangster film Miller's Crossing, stars Gabriel Byrne as Tom Reagan, the right-hand man of big-city Irish mob boss Leo (Albert Finney). The film opens with Italian mobster Johnny Caspar (Jon Polito) and his second in command Eddie Dane (J.E. Freeman) informing Leo and Tom that they are going to kill bookie Bernie Bernbaum (John Turturro) because he has been revealing Caspar's fixed fights to other gamblers. Leo informs Caspar that Bernie pays for protection and is not to be touched. After the Italians leave in a huff, Tom informs Leo that he should give up Bernie. Tom and Leo are both involved with Verna (Marcia Gay Harden), Bernie's sister. After a failed hit on Leo starts a full-scale mob war, Tom reveals to Leo the truth about his relationship with Verna. This leads to a falling-out between the pair. Tom goes to work for Caspar, but in truth, he is still loyal to Leo.
BBC's arts documentary strand Arena returns with the first ever documentary exploring the extraordinary life of Sir Jonathan Miller CBE. Jonathan Miller is usually described as a 'polymath' or 'Renaissance man', two labels he personally dislikes. But no-one quite like him has made such an impact on British culture through the medium of television, radio, theatre and opera. He has straddled the great divide between the arts and the sciences, while being a brilliant humorist, a qualified doctor and even a practising artist. With the man himself and a host of distinguished collaborators, including Oliver Sacks, Eric Idle, Kevin Spacey (who owes his first break to Miller) and Penelope Wilton, this Arena profile explores Miller's rich life and examines through amazing television archive - mostly from the BBC - how he makes these connections between the worlds of the imagination and scientific fact.