Milton Edwards

Various Artists - Sun Records. The Blues Years 1950-1958 (1996) [8CD BoxSet] {Charly Records}
EAC rip (secure mode) | FLAC+CUE+LOG -> 1.59 Gb | MP3 @320 -> 1.14 Gb
Artwork @ 300dpi (jpg) -> 42 Mb
© Charly Records / Sun Records | CDSUNBOX 7
Blues / Rock'n'Roll / Memphis Blues

Gigantic eight record box, this comes the closest to documenting the wide breadth of blues recordings done by Sam Phillips at the Sun studios in Memphis during the early 50s. A landmark achievement.
This multi-disc set has most of the major blues classics of the late 1940's and 1950's that went on to spawn the rock era; from Ike Turner and Rocket 88 to Howlin' Wolf's best sides. Sam Phillips and Sun Records got every major player south of Chicago to record there sooner or later–and even some who had done work in Chicago came back to do work in the landmark Memphis studio (which is a GREAT tourist destination!).

Various Artists - Let Me Tell You About The Blues - Memphis: The Evolution Of Memphis Blues 1927-1958 (2009) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 687 Mb | MP3 @320 -> 467 Mb
Full Artwork @ 300 dpi (png) -> 153 Mb | 5% repair rar
© 1927-58, 2009 Fantastic Voyage / Future Noise Music Ltd. | FVTD022
Blues / Regional Blues

Memphis was the town blues musicians passed through on their way to Chicago. But some of them stayed and the record companies sent their mobile units to record them. Over a three-year period from 1927, an astonishing amount of talent was recorded: local stars like the Memphis Jug Band, Frank Stokes, Cannon’s Jug Stompers, Jim Jackson, Furry Lewis, Robert Wilkins, Bukka White, Memphis Minnie, Joe Callicott and Sleepy John Estes.

If compiler Neil Slaven was an axe hero, he says he would favour a Danelectro Guitarlin, with its longhorn body, its lipstick pickups and coke-bottle machine head. Perhaps he d settle for the red Gretsch Duo-Jet Bo Diddley sported on his first album cover. That puts him out of step with most of the guitarists gathered on Deep Feeling. Albert King favoured the Flying V, Buddy Guy liked the metallic clatter of a Strat and Muddy Waters slashed his slide down a Telecaster neck. Semi-acoustics were the name of the game for the average blues guitarist. B.B. King and Little Milton took an early shine to the Gibson ES-335 (our cover star incidentally, in rare original watermelon cherry finish), although B s Lucille was actually a slimline 355…