Blue Cheer's debut album, Vincebus Eruptum, was widely and accurately described as "the loudest record ever made" when it first appeared in early 1968, and the band seemingly had the good sense to realize that for sheer brutal impact, there was little chance they could top it…
Rock & roll had grown louder and wilder by leaps and bounds during the '60s, but when Blue Cheer emerged from San Francisco onto the national rock scene in 1968 with their debut album, Vincebus Eruptum, they crossed a line which most musicians and fans hadn't even thought to draw yet…
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. A trio is helping out guitarist Johnny Smith – but, as with all of his other Roost Records of the time, the man himself is very far out in the lead – making real magic on the strings of his guitar, and playing with an effortless command of tone and color! Some moments of the record actually have a bit more of an uptempo swing than other of Johnny's albums of the period – but others are a masterpiece is gentle harmonics – those incredible notes that Smith almost seemed to invent for jazz guitar in the 50s – and which seem to come through even more beautifully in the sparest of settings. The trio features Bob Pancoast on piano, Mousie Alexander on drums, and George Roumanis on bass
Notwithstanding one or two isolated exceptions, it wasn’t until the mid-Sixties that independent female voices really began to be heard within the music industry. The feminist movement naturally coincided with the first signs of genuine musical emancipation. In North America, Joan Baez and Buffy Sainte-Marie emerged through the folk clubs, coffee-houses and college campuses to inspire a generation of wannabe female singers and musicians with their strong, independent mentality and social compassion, while the British scene’s combination of folk song revival and the Beatles-led pop explosion saw record company deals for a new generation of pop-folkies including Marianne Faithfull, Dana Gillespie and Vashti Bunyan.
Outstanding performances of de Falla's, Granados and Albeniz's works.Unmistakable quality of a past standard of excellence that is hardly matched today.Rodzinski's austere conducting and his vitality and precision refined and developed some of the major orchestras of the time.These Rodzinski's memorable recordings include the Maestro's farewell to the Royal Philharmonic Orchestra at his last recording session for Westminster.
5 Classic albums in mini LP-style card sleeves; Magnetic Fields (1981), Zoolook (1984), Rendez-Vous (1986), Revolutions (1988) & Waiting for Cousteau (1990).