4 CD box set featuring four previously unreleased live shows with unreleased tracks & a great book. CD1 1971-1972 The Beginning Italian Tour, CD2 1973-1074 The American Experience From the World Became the World Tour, CD3 1975-1976 Around the World Chocolate Kings Tour & CD4 1977-1978 Contaminazioni (Jetlag and Passpartu' Tours) plus 1980-1981 Verso Un Nuovo Rock (Performance Tour)…
One of the better entries to emerge from a genre that was quickly growing tired. Return to Forever drummer Lenny White, while not as powerful or talented as counterparts Billy Cobham or Alphonse Mouzon, had an excellent feel for funk and an amazing sense of taste. "Chicken-Fried Steak" contains enough odd-time beats and fills to satisfy any drum fanatic, but White proves to be more than just a technician.
Tangerine Dream hit the U.S. charts again with this 1977 LP, which gave piano and guitar (not to mention harmonica and harpsichord) equal billing with the synths and effects. The hypnotizing title piece joins Invisible Limits; The Big Sleep in Search of Hades , and more! The LP reached No.39 in the UK, in a 4-week chart run, and eventually reached silver status for selling in excess of 60,000 copies.
A versatile drummer, Lenny White is still best-known for being part of Chick Corea's Return To Forever in the 1970's. White was self-taught on drums and he largely started his career on top, playing regularly with Jackie McLean (1968) and recording "Bitches Brew" with Miles Davis in 1969. White was soon working with some of the who's who of jazz including Freddie Hubbard, Joe Henderson, Woody Shaw, Gato Barbieri, Gil Evans, Stanley Clarke and Stan Getz among others. As a member of Return To Forever during 1973-76, White gained a strong reputation as one of the top fusion drummers, but he was always versatile enough to play in many settings.
One of Sun Ra's best non-Saturn live sets of the 70s – a nice little record that shows the group mixing it up with equal parts avant garde and straight ahead jazz, all handled in that ever-growing large group style that made them a real force to be reckoned with in a concert setting! The album was recorded during the 1976 Montreux Jazz Festival, and has a bit more focus and polish than some of the other Arkestra live material from the time – a mature, coherent sound that almost points the way towards some of their work to come in the 80s – when Ra and the group were finally reaching the wider audience they deserved. The set's a double-length one, and features players who include John Gilmore on tenor, Marshall Allen and Danny Davis on alto and flute, Pat Patrick on baritone, Ahmed Abdullah on trumpet, Craig Harris on trombone, and James Jackson on Ancient Egyptian Infinity drum – which is always a treat. Ra plays solar organ and moog, as well as piano.
This is a compilation of songs and instrumentals from the previous LPs "Voyager" and "The Beginning of Hope". It was the first Friedemann CD. Through a review in a hi-fi magazine, I became aware of this record in the late '80s. It was, as far as I could remember, "the perfect," i. as a CD, which was to satisfy both highest recording and musically highest claims. As a "high-ender" I found this CD very convincing in terms of musicality, audibility and spatiality.