Minimal 16bit

Wolfgang Voigt - EARQUAKE - Wolfgang Voigt 1991-1999 (2019) {Profan 50, USB Stick}
FLAC (tracks) - 16bit/44.1kHz - USB Stick files -> 10.3 Gb | MP3 @320 -> 4.83 Gb
Full Artwork (jpg+pdf) -> 52 Mb | 5% repair rar
© 1991-99, 2019 Profan | Profan 50
Experimental / Electronic / Ambient / Techno / Acid / Gabber / Minimal Techno

Wolfgang Voigt has released EARQUAKE, a chronological box set of his music from the 1990s, via Kompakt. It comprises 303 single pieces, including all the solo projects and most of his compilation pieces, and 75 previously unreleased works, including the 1995 album Mit Maschinen Sprechen. It does not contain any works from GAS, arguably his most famous project, which got the box set treatment in 2016.

The Turtles - The Complete Original Albums Collection (2016) {6CD Set FloEdCo MFO 48047 Official Digital Download rec 1965-70}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (qobuz.com) -> 2.24 Gb | MP3 @320 -> 876 Mb | Cover | 5% repair rar
© 1965-70, 2016 Flo & Eddie Inc. (FloEdCo) / Manifesto Records | MFO 48047
Pop Rock / AM Pop / Folk Rock / Sunshine Pop / Psychedelic

Judging from their radio hits, the Turtles were one of the best American pop bands of the '60s, crafting a series of engaging singles that were tuneful, witty, and fueled by a potent mix of Brill Building professionalism and knowing musical experimentation. But while one could certainly get a perspective on their genius through hits like "Happy Together," "Eleanor," "She's Rather Be with Me," and "You Baby," it was on their albums (and the B-sides of their 45s) where they let their imaginations run free and cut their wittiest and most ambitious material.

Moondog - Bracelli - Fläskkvartetten (1987) {Kakaphone KPH 102} (Released on VINYL but not CD)
FLAC (tracks) - 16bit/44kHz - VINYL LP RIP -> 220 Mb | MP3 @320 -> 116 Mb
Full Artwork @ 600 dpi (jpg) -> 78 Mb | 5% repair rar
© 1987 Kakaphone | KPH 102
Classical / Avant-Garde / Modern Classical / Minimal

Double 2-part canons are used in GYGG, DARK EYES, FROST FLOWER and FRISKA. FANTASIA is a canonic but not canon. CANON in Asia Minor is a 3-part canon with pedal point. LOG in c minor is a 2-part canon with pedal point. LOG in G Major is a 3-part canon without pedal point. The Double Bass doubles Cello 2 at the octave wherever possible, also serving as a pedal point.

Dominique Lawalrée (b. 1954) - Litanies Du Monde A Venir (1985) {LP Editions Walrus WLS15} (Released on VINYL but not CD)
FLAC (tracks) - 16bit/48kHz - VINYL LP RIP -> 214 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 600 dpi (jpg) -> 33 Mb | 5% repair rar
© 1985 Editions Walrus | WLS 15
Classical / Modern Classical / Organ / Minimal

Belgian composer, keyboard player and educator Dominique Lawalrée, born in Brussels in 1954, studied music in Namur and began composing in 1973. With a name inspired by his love of The Beatles (I Am the Walrus, 1967), Lawalrée launched Walrus records in 1976 when he was only 22 years-old. Walrus was the vehicle of choice for the release of his own music, though he also published a great 2xLP compilation with Baudouin Oosterlynck, Eric de Visscher and Robert Fesler in 1984 (W.L.S. 012/13). Lawalrée’s music until the mid-1980s is a delightful mix of synthesizer exploration in the vein of Brian Eno and Roedelius, piano minimalism à la Satie, as well as personal ideas in the form of field recordings, sound collages and spoken word – for instance, his 1983 mini-LP Six jours à Barcelone (6 Days in Barcelona) included bird sounds.

Moondog - Instrumental Music by Louis Hardin (1978) {LP - Musical Heritage Society MHS3803} (Released on VINYL but not CD)
FLAC (tracks) - 16bit/48kHz - VINYL LP RIP -> 250 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (jpg) -> 56 Mb | 5% repair rar
© 1978 Musical Heritage Society | MHS 3803
Classical / Jazz / Avant-Garde / Modern Classical / Minimal / Experimental / Third Stream

LOUIS T. HARDIN (MOONDOG). In the beginning was tonality. Then came atonality which was revolutionary. Tonality continued in folk music and popular music, in spite of atonality, but in the case of serious composers, it was taboo to even think of writing tonal on pain of being ignored and unperformed. I persisted in writing tonal music, and by opposing the atonal revolutionaries, I became a counter-revolutionary. I maintained the tonal tradition, unaware that the founder of atonality himself had repudiated the 12-tone System, which he had conceived. But that was not the end of atonality, for even though its founder gave it up, his pupils did not, and so, for the time being, at least, it survives. As it was in the beginning, is now, and ever shall be, Tonality!

Henning Christiansen - Fluxyl (Musik Essayistik) (2020) {Borgen Records HC04 rec 1984}
FLAC (tracks) - 16bit/44.1kHz - Official Digital Download -> 191 Mb | MP3 @320 -> 98 Mb | Cover | 5% repair rar
© 1984, 2020 Borgen Records | HC 04
Contemporary Classical / Experimental / Avant-Garde / Electronic / Musique Concrète / Abstract

One of the most obscure and enigmatic records in Christiansen’s discography – previously issued separately by Borgen Records in Denmark. Four minimal pieces exploring the clash between instrumental composition-improvisation and pre-recorded real sounds.

Catherine Lamb - Atmospheres Transparent / Opaque - Ensemble Dedalus (2019) {New World 80806-2}
FLAC (tracks) - 16bit/48kHz - Official Digital Download (qobuz.com) -> 295 Mb | MP3 @320 -> 152 Mb
Full Artwork (jpg+pdf) -> 27 Mb | 5% repair rar
© 2019 New World Records | 80806-2
Classical / Modern Classical / Minimal / Abstract

This recording is an excellent introduction to the distinctive sound world of Catherine Lamb (b. 1982), who studied with James Tenney and Michael Pisaro, in that it documents a recent large-scale piece that epitomizes her compositional aesthetic, Prisma Interius IX (2018), and was recorded under the composer's supervision. "I have been attempting to describe, in more elemental terms, the perceptual roles between musicians who are activating interactions in harmonic space. Overlays Transparent/Opaque (2013) was an initial attempt towards showing forms aside phenomenological clarities in which to enter from relational and therefore parallaxical points, in this case through shifting overlays.