Miquel Brown

One can hear these songs over and over again. Enjoy the best known Oldies on these 5 exclusive CDs. Including Lynn Anderson, Drifters, Kenny Rogers, Helen Shapiro, Lynyrd Skynyrd, Hollies, Frank Sinatra, The Beach Boys, Bad Boys Blue and many more. Oldies but Goldies - All original admissions - Giving `see only with world view!

A compilation of the greatest hits from the eighties including: Sinéad O'Connor, Culture Club, Blondie, Duran Duran and many many more!

I have a collection of 135 titles (142 CDs) issued by Goldmine/Soul Supply record company. This is not a box set but rather it is a collection of albums that are similar in that they all are rare soul compilations by the same company. There are some tracks that are on more than one album but considering the scope and magnitude of this collection, the number of duplicated tracks is small. Some CDs have good artwork, some have none, most have some artwork of varying quality. All are 320 CBR MP3 and are fully tagged. Original post now has added CDs.

Released in 2012, 24/7 features the smooth jazz super-duo of guitarist Norman Brown and saxophonist Gerald Albright. Two of the biggest names in contemporary instrumental pop, Brown and Albright are a perfect pair to team up and 24/7 makes the most of the their talents. Sounding slick but never too slick, the album features stylish production by both artists along with keyboardist Herman Jackson.

After switching to the Stratocaster on his previous album, Paul Brown returns to his trademark Gibson L-5 and engages in some of the richest, most expressive playing of his career on his sixth solo recording, the perfectly titled deeply grooving, blues and R&B intensive Woodward Avenue debut The Funky Joint. The veteran guitarist and composer complements his crisp and cool melodies and licks with harmonies and solos by many of the top artists that he has produced or played with over the years, including Boney James, Bob James, Euge Groove, Marc Antoine, Bob Baldwin and Darren Rahn.

An astonishing record of James and the Flames tearing the roof off the sucker at the mecca of R&B theatres, New York's Apollo. When King Records owner Syd Nathan refused to fund the recording, thinking it commercial folly, Brown single-mindedly proceeded anyway, paying for it out of his own pocket…

Kingdom Come were a British band of the 1970s, that played psychedelic, experimental progressive rock music. They were fronted by Arthur Brown, who gave them his theatrical style and voice…