Mirrors

In Music for Pieces of Wood, Joe Beribak, sitting in the center of a semicircle, begins to strike the first pattern. Joe will maintain this pattern, unflinchingly, for the entire duration of the piece. Katy, Jessica, Derek and Eddie contribute all of the sinuous and minimalist variation which they weave into filaments of sound and rhythm as if all five musicians were one person. Smoke & Mirrors takes us on many journeys in this album. These are refreshingly fully-developed works, each very different from the others, each with its own story.

Mirrors of the Divine brings into focus how four influential authors of the late ancient world–Tertullian of Carthage, Clement of Alexandria, Gregory of Nyssa, and Augustine of Hippo–employ language of vision and of mirrors in their discursive struggles to construct Christian agency, identity, and epistemology. Early Christian authors described the vision of God through the Pauline verse 1 Corinthians 13:12: "For now we see in a mirror, dimly, but then we will see face to face." Yet each author interpreted this verse differently, based on a diverse set of assumptions about how they understood seeing and mirrors to function: does vision occur by something leaving or entering the eye? Is one impacted by seeing or by being seen? Do mirrors offer trustworthy knowledge?