An outstanding veteran pianist from Spain, Tete Montoliu was born blind. He learned to read music in Braille when he was seven and developed impressive technique on piano. He recorded with Lionel Hampton in 1956, had his first session as a leader in 1958, and played with the touring Roland Kirk in 1963. Through the years, he also worked with such visiting Americans as Kenny Dorham, Dexter Gordon, Ben Webster, Lucky Thompson, and even Anthony Braxton. Tete Montoliu's visits to the U.S. were very infrequent, but his SteepleChase albums (starting in 1971) are generally available; he also cut one date for Contemporary (1979) and recorded for Enja and Soul Note.
‘Why has this intense, brilliantly orchestrated, claustrophobically gripping masterpiece been so neglected since its 1977 premiere?’ asked Richard Morrison in The Times of the concert performance in the Barbican that preceded this recording. Miss Julie is Alwyn’s last large-scale work, written in 1973-76. Alwyn set his own libretto, based on Strindberg’s 1888 play of that title. The naturalistic drama and lifelike characters of that play appealed to Alwyn from an early age – in fact, he previously attempted to compose an opera on Miss Julie in the 1950s. That attempt failed, because of differences with his then librettist, Christopher Hassall.
Die megatolle Auswahl dieser Rock-Klassiker gesungen von Anna Maria Kaufmann ist wirklich ein Erlebnis. Rockmusik begleitet von einem klassischen Orchester, gesungen von einer wunderbaren Sopranistin- gar nicht klassisch, ganz viel Gänsehaut!